995
STURM IM WASSERGLAS
STORM IN A GLASS OF WATER
TEMPETE DANS UN VERRE D'EAU
Kaurinui, 1999
Finished Kaurinui, Bottlehouse, February 1999
1398 mm x 995 mm
Mixed media: watercolour, egg tempera, oil, lacquer on primed paper, glued on canvas with PVA and cellulose glue; gold and silver leaf applied by Ralf Wittig, Zwettl
- KunstHausWien, Vienna, Feb. 2003 - April 2003
- KunstHausWien, Vienna, May - September, 2004
- art cologne, Cologne, 2004
- W. Schmied, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2000, Vol. I, pp. 216/217 (and c)
- A. C. Fürst, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2002, Vol. II, p. 716 (c)
- Regentag-Wassergläser für das Leben, Vienna, 2011, cover (c, English edition) and p. 68 (c, German edition)
- Art News New Zealand, winter 1999, Auckland, p. 37 (c)
- Hundertwasser 2004 Calendar, Taschen, Cologne (and reprints)
- 2004 Hundertwasser Diary Jahrbuch, Borer & Wörner, Zug
- Postcard, Museums Betriebs Gesellschaft mbH / Hundertwasser Archiv, Vienna, 2005 (repr. 2010, 2013)
- Hundertwasser 2008 Calendar, Taschen, Cologne, backcover
- Art print, Verlagsgruppe Weltbild, Augsburg, 2010
- Hundertwasser Address book, Wörner, Rutesheim, 2011
- Hundertwasser Notebook, Wörner, Rutesheim, 2011
- Calendar, Hundertwasser Art 2012, Wörner, Rutesheim (small size)
- Hundertwasser Diary 2012, Wörner, Rutesheim
- Calendar, Hundertwasser Art 2013, teNeues, Kempen
- Hundertwasser Art Calendar 2016, Wörner, Rutesheim
- Hundertwasser Agenda 2018, Wörner Verlag, Rutesheim
- Calendar, Hundertwasser Art 2019, Wörner Verlag, Rutesheim (small size)
Hundertwasser's comment on the work
In the Bottlehouse, where the walls are made of bottles, under a grass roof, it is wonderfully cool in the summer, and there is classical, usually Viennese music from the New Zealand concert-programme station, with no commercials, coming out of a South African radio with no batteries which can be charged by hand and also runs on sunlight. In the winter I heat with wood from my own trees. I don't think Dürer, Breughel or Schiele had it so good when they were painting. (from: Hundertwasser 1928-2000, Catalogue Raisonné, Vol. 2, Taschen, Cologne, 2002, p. 716)