HWG 84
858
THE CITY MAN
HOMME DE LA CITE
Gruener Janura AG , Glarus , 1984
760 x 560 mm
700 x 500 mm
Mixed media graphic: photolithograph from zinc in 4 colours, silk screen in 13 colours with metal embossings in 9 colours (41 print operations)
Quattrifoglio (photolithographs), Claudio Barbato (Siebdruck / silk screens), Giuseppe Barbato (Metallprägungen / metal embossings), Venedig / Venice, Spinea, 1983
Alberto della Vecchia
679 SMOKING SEAMANS SUNSET, 1968
252, signed and numbered 1-252 (by hand)/252 (in the black screen); LIV proofs, signed and numbered I-LIV/LIV
10 colour variants (no more than 30 identical prints)
Autographed breakdown of the technical procedure and list of colour variants imprinted verso
KunstHausWien, Vienna
Private collection JOMA
Peter Infeld Privatstiftung, Vienna
- Galerie Haas, Vaduz, 1986
- Galerie Bollhagen, Worpswede, 1986/87
- Artcurial, Munich, 1987/88
- Galerie Ernst Hilger, Frankfurt, 1988
- På Sofiero, Helsingborg, 1988
- KunstHausWien, Vienna, since 1991
- Galleri Lanterna, Västeras, 1991
- Galerie Loeffel, Basel, 1992
- Galerie am Königsplatz, Paderborn, 1992
- Galerie Dida, Graz, 1993
- Galerie am Lindenplatz, Schaan, 1993
- Galerie am Stubentor, Vienna, 1993
- Galerie Krombholz & Schnake, Bergheim, 1993
- Rüdinghauser Atelier "M", Witten-Rüdinghaus, 1993
- Landau Fine Art, Montreal, 1994
- Galerie Weihergut, Salzburg, 1994/95
- Artcurial, Paris, 1996
- Pucker Gallery, Boston, 1996
- Galerie Peithner-Lichtenfels, Prague, 1996
- Kunsthandel - Rene Bernhard, Zurich, 1996/97
- Philatelia T'card '97, Cologne, 1997
- Institut Mathildenhöhe, Darmstadt, 1998
- Kloster Roggenburg, 1999
- Stift Neuberg an der Mürz, 1999
- Sparda-Bank, Stuttgart, 2000/01
- Die Galerie, Frankfurt, 2001
- Kulturzentrum am Münster, Konstanz, 2003
- Rosengarten, Mannheim, 2003/04
- Haus der Kultur, Halbturn, 2004
- Kulturzentrum Infeld, Dobrinj, 2005
- Galerie Welz, Salzburg, 2006
- Ostholstein-Museum, Eutin, 2007
- Art Forum Würth, Capena/Rome, 2008
- Minoritenkloster, Tulln, 2008
- Christuskirche, Mainz, 2008
- Sparkasse Academy, Bozen, 2010/11
- Kunstlocatie Würth 's-Hertogenbosch, 2011/12
- Centre de la Vieille Charité, Marseille, 2012
- Forum Würth Arlesheim, Switzerland, 2014-17
- KunstHausAbensberg, since 2014
- Quartier Libre SIG, Geneva, 2015/2016
- Buchheim Museum, Bernried, 2016/17
- Sejong Museum of Art, Seoul, 2016/17
- Amberger Congress Centrum, Amberg, 2018
- *
- World Travelling Museum Exhibition:
- Dum Umení, Brno, 1986
- Národní Galerie, Prague, 1986/87
- Galerie Umenì, Karlovy Vary, 1987
- Slovenska Narodna Galeria, Bratislava, 1987
- Rupertinum, Salzburg, 1987
- *
- Albertina Travelling Exhibition 1976-1992:
- Galerie in Kornhauskeller, Ulm, 1987/88
- *
- Travelling exhibition 1989:
- Tokyo Metropolitan Teien Art Museum, 1989
- Iwaki City Art Museum, 1989
- Ohara Museum of Art, 1989
- *
- Travelling exhibitions 2004-07: Würth:
- Art-Room-Würth, Böheimkirchen, 2005
- Kulturforum Würth, Chur, 2005/06
- Galleri Würth, Hagan, 2006
- Kulturforum Würth, Kolding, 2006/07
- *
- Travelling exhibition: Hundertwasser...Die Ausstellung:
- Veranstaltungshalle des Stadtcafé Ottensen, Hamburg, 2001
- Salzstadel, Regensburg, 2003
- Benrather Karree, Dusseldorf, 2003
- The New Zealand Academy of Fine Arts, Wellington, 1992
- Art´96, Chicago, 1996
- Museum de Buitenplaats, Eelde, 2014/2015
- W. Koschatzky, Hundertwasser, Das vollständige druckgraphische Werk 1951-1986, Zürich/Schwäbisch Hall, 1986, p. 203 (c)
- Friedensreich Hundertwasser, Frankfurt, 1995, p. 29 (c)
- A. C. Fürst, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2002, Vol. II, pp. 871/872 (and c)
- Stichting Veranneman, Kruishoutem, 1987 (c)
- Artseen, The New Zealand Academy of Fine Arts, Wellington, 1992, cat. 7
- Pucker Gallery, Boston, 1996, cat. 21 (c)
- Institut Mathildenhöhe, Darmstadt, 1998, p. 210 (c)
- La raccolta dei sogni, Art Forum Würth, Capena (Rome), 2008, p. 117 (c)
- Sparkasse Academy, Bozen, 2010/11, pp. 56-57 (and c)
- Centre de la Vieille Charité, Marseille, 2012, p. 177 (c)
- Leaflet, Forum Würth Arlesheim, 2014 and ed. 2016 (c)
- KunstHausAbensberg, Abensberg, 2014, p. 73 (c)
- De Derde Huid, Museum De Buitenplaats, Eelde, 2014/2015, p. 44 (c)
- Hundertwasser Schön & Gut, Buchheim Museum, Bernried, 2016, p. 105 (and c)
- Hundertwasser, The Green City, Sejong Museum of Art, Seoul, 2016, pp. 119 (and c), 256
- Leaflet, Amberger Congress Centrum, Amberg, 2018 (c)
- Exhibition poster, Amberger Congress Centrum, Amberg, 2018 (c)
- ***
- Travelling exhibition 1989: Japan, cat. 87 (b)
- ARTES, Kunst unserer Welt Nr. 9, Angebotskatalog, Rheda-Wiedenbrück, 1987, p. 265 (c)
- Calendar, Hundertwasser 2011, Südtiroler Sparkasse AG, Bozen
- Bookmark, Amberger Congress Centrum, Amberg, 2018 (c)
- Sticker, Amberger Congress Centrum, Amberg, 2018 (c)
Hundertwasser's comment on the work
Bees see many images at the same time. The city, with its many windows, is reflected in the face of the city-man - that is me, apparently. If Picasso can unfold faces, one can also show on the face what the face sees. What one sees and one's surroundings unite with the soul of the person they surround, as it is. That is why one grows ugly and sick when one is exposed to visual pollution. People don't learn that at the architecture schools, which are caught up in false rationality. (from: Hundertwasser 1928-2000, Catalogue Raisonné, Vol. 2, Taschen, Cologne, 2002, pp. 871-872)