HWG 94
848 A
RIGHT TO CREATE
DAS RECHT AUF SCHÖPFUNG
DROIT DE CREER
SOZO SURU KENRI
Woodcut 3 in the portfolio JOY OF MAN
Galerie de l'Etoile, S.A. , 1988
570 x 420 mm
470 x 390 mm
Japanese woodcut in 21 colours
Akio Shimizu, Kyoto, 1986
Tatsuo Kawashima, Kyoto
Yamagami
848 DROIT DE CREER, 1983
Edition of 200, signed and numbered 1-200/200; plus 3 specimen dedicated to the cutter, the printer and the coordinator, respectively
Private collection JOMA
KunstHausWien, Vienna
- Galerie Ernst Hilger, Frankfurt, 1988
- Galerie Weihergut, Salzburg, 1988
- Galerie 59 - Rene Bernhard, Zurich, 1988
- KunstHausWien, Vienna, since 1991
- Ginza Pocket Park Gallery of Tokyo Gas, 1992/93
- Galerie Krombholz & Schnake, Bergheim, 1993
- Artcurial, Paris, 1996
- Städtisches Museum Braunschweig, 1996
- Kunsthandel - Rene Bernhard, Zurich, 1996/97
- Philatelia T'card '97, Cologne, 1997
- Kulturkreis Schloß Burgau, 1997
- Institut Mathildenhöhe, Darmstadt, 1998
- Mittelrhein-Museum Koblenz, 2001
- Kulturzentrum am Münster, Konstanz, 2003
- Galerie im Malzhaus, Plauen, 2003
- Rosengarten, Mannheim, 2003/04
- Amberger Congress Centrum, Amberg, 2004
- whiteBox Kultfabrik, München, 2004/05
- Neues Schloss und Bibelgalerie Meersburg, 2005
- Pinakothek, Bad Ragaz, 2005
- Eventdock, Flughafen Zürich, 2005/06
- Domstadt Speyer, 2006
- Ostholstein-Museum, Eutin, 2007
- Szépmüvészeti Museum, Budapest, 2007/08
- Art Forum Würth, Capena/Rome, 2008
- Minoritenkloster, Tulln, 2008
- Christuskirche, Mainz, 2008
- Musée d'Unterlinden, Colmar, 2008
- Kirche zu St.Jakobi,Stralsund,April/May-Oct. 2009-11 (repetitive)
- Galerie Nievergelt, Zurich, 2010
- Seoul Arts Center Hangaram Design Museum, Seoul, 2010/11
- Kunstlocatie Würth 's-Hertogenbosch, 2011/12
- Forum Würth Arlesheim, Switzerland, 2014-17
- Kunsthalle Messmer, Riegel am Kaiserstuhl, 2014
- KunstHausAbensberg, since 2014
- Quartier Libre SIG, Geneva, 2015/2016
- Buchheim Museum, Bernried, 2016/17
- Residenzschloss Ludwigsburg, 2017
- Hofgartensaal der Residenz, Kempten, 2017/18
- Amberger Congress Centrum, Amberg, 2018
- Stadtgalerie - Badehaus im Alten Kurpark, 2018
- *
- Travelling exhibition 1998/99:
- Isetan Museum of Art, Tokyo, 1998
- Museum "EKi", Kyoto, 1998
- Sakura City Museum of Art, Chiba, 1998/99
- *
- Travelling exhibition 1999:
- Takamatsu City Museum of Art, 1999
- Nagoya City Art Museum, 1999
- Hyogo Prefectural Museum of Modern Art, Kobe, 1999
- The Museum of Modern Art, Saitama, 1999
- *
- Travelling exhibition 2004-07: Würth:
- Kulturforum Würth, Chur, 2005/06
- Galleri Würth, Hagan, 2006
- Kulturforum Würth, Kolding, 2006/07
- *
- Travelling exhibition 2006/07:
- The National Museum of Modern Art, Kyoto, 2006
- Musee d`art Mercian Karuizawa, 2006
- Mitsukoshi Museum, Tokyo, 2007
- Shimonoseki Museum, Yamaguchi, 2007
- *
- Travelling exhibition: Hundertwasser...Die Ausstellung:
- Congresshalle, Saarbrücken, 1999
- Lokschuppen Rosenheim, 1999/2000
- Neustädtisches Palais, Schwerin, 2009
- Art´96, Chicago, 1996
- Art´96, Basel, 1996
- Münchner Künstlerhaus, 2014
- Museum de Buitenplaats, Eelde, 2014/2015
- Gerbeaud-Haus, Budapest, 2016
- Friedensreich Hundertwasser, Graphisches Werk 1988-1995, Cologne/Münster, 1995, p. 21 (c), cover (c)
- A. C. Fürst, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2002, Vol. II, p. 879 (c), 905
- Galerie Weihergut, Salzburg, 1988, cover (c)
- Leaflet, Kulturkreis Schloß Burgau, 1997 (c)
- Institut Mathildenhöhe, Darmstadt, 1998, p. 218 (c)
- KunstHausWien, Vienna, 1999, p. 77 (c)
- Leaflet, Kulturzentrum am Münster, Konstanz, 2003 (c)
- Leaflet, Amberger Congress Centrum, Amberg, 2004 (c)
- Leaflet, whiteBox Kultfabrik, München, 2004/05 (c)
- Leaflet, Neues Schloss und Bibelgalerie Meersburg, 2005 (c)
- Leaflet, Eventdock, Flughafen Zürich, 2005/06 (c)
- Leaflet, Domstadt Speyer, 2006 (c)
- Leaflet, Ostholstein-Museum, Eutin, 2007 (c)
- A Magical Eccentric, Szépmüvészeti Múzeum, Budapest, 2007, p. 179
- La raccolta dei sogni, Art Forum Würth, Capena (Rome), 2008, p. 121 (c)
- Leaflet, Evangelisches Dekanat Mainz and Landesmuseum Mainz, Mainz, 2008 (c)
- Caixa Cultural Brasília and Salvador, 2009 (c)
- Leaflet, Galerie Albstadt, 2009 (c)
- Seoul Arts Center Hangaram Design Museum, Seoul, 2010/11, pp. 154-155 (and c), 229
- Kirche zu St. Jakobi, Stralsund, 2011, p. 75 (c)
- Leaflet, Kolvenburg, Billerbeck, 2015 (c)
- Kunsthalle Messmer, Riegel am Kaiserstuhl, 2014, cover (c), endpaper (c), p. 30 (c)
- De Derde Huid, Museum De Buitenplaats, Eelde, 2014/2015, p. 45 (c)
- Hundertwasser Schön & Gut, Buchheim Museum, Bernried, 2016, p. 148 (and c)
- booklet, Stadtgalerie - Badehaus im Alten Kurpark, Bad Soden, 2018, p. 3 (c)
- Travelling exhibition 1998/99: Japan, p. 97 (c)
- Travelling exhibition 1999: Japan, pp. 41 (c), 123
- Travelling exhibition 2006/07, Japan, p. 32 (c)
- Congresshalle Saarbrücken, 1999, p. 63 (c)
- Lokschuppen Rosenheim, 1999, p. 63 (c)
- A. Feige / M. Hansmann / E. Saling (ed.), Pränatal- und Geburtsmedizin, Nuremberg, 2002 (2001 congress programme) cover (c)
- Visitor Guide / Dossier de Visite, Quartier Libre SIG, Geneva, 2015, p. 6 (c)
- Invitation card, Galerie Weihergut, Salzburg, 1988 (c)
- Exhibition poster, Herrenhof, Neustadt-Mußbach, 1996
- Exhibition poster, Wilhelm-Fabry-Museum Hilden, 1996
- Exhibition poster, Palais Adelmann, Ellwangen, 1996
- Exhibition poster, Galerie Wild, Lahr, 1996
- Invitation card, Kulturkreis Schloß Burgau, 1997 (63 x 47,2 cm) (c)
- Exhibition poster, Kulturkreis Schloß Burgau, 1997
- Exhibition poster, Wagner & Schortgen Fine Arts, Luxembourg, 1997
- Exhibition poster, Kunstmesse Innsbruck (Galerie Schnake), 1997
- Exhibition poster, Galerie Dagmar Peveling, Olpe, 1997/98
- Exhibition poster, Galerie Neuheisel, Saarbrücken, 1998
- Exhibition poster, Galerie am Stubentor, Vienna, 1998
- Exhibition poster, Kunsthandlung Goyert, Cologne, 1998
- Exhibition poster, SAP - Internationales Schulungszentrum, Walldorf, 2000
- Exhibition poster, Galerie Albstadt, 2009
- Invitation card, Caixa Cultural Salvador, 2009 (c)
Hundertwasser's comment on the work
RIGHT TO CREATE
Creation is the foremost human condition. The right to creation is more important than the right to food.
If man does not create or is impeded to create, man ceases to fulfil human functions because he loses his justification to be present on this earth as a higher being.
Our real illiteracy is not the incapability to read and write but the incapability to create.
The children and the so-called primitives and the so-called fools have a bigger knowledge to create until they lose their soul by uniformation, education and convention.