HWG 92
846 A
WINDOW RIGHT
FENSTERRECHT
LE DROIT DE FENETRE
MADO O KAZARU KENRI
Woodcut 1 in the portfolio JOY OF MAN
Galerie de l'Etoile, S.A. , 1988
570 x 420 mm
500 x 380 mm
Japanese woodcut in 27 colours
Akio Shimizu, Kyoto, 1986
Tatsuo Kawashima
Yamagami
846 WINDOW RIGHT, 1983
200, signed and numbered 1-200/200;
plus 3 specimen dedicated to the cutter, the printer and the coordinator, respectively
Private collection JOMA
Sammlung Infeld, Vienna
KunstHausWien, Vienna
- Galerie Ernst Hilger, Frankfurt, 1988
- Galerie Weihergut, Salzburg, 1988
- Galerie 59 - Rene Bernhard, Zurich, 1988
- KunstHausWien, Vienna, since 1991
- Ginza Pocket Park Gallery of Tokyo Gas, 1992/93
- Galerie Krombholz & Schnake, Bergheim, 1993
- Artcurial, Paris, 1996
- Städtisches Museum Braunschweig, 1996
- Kunsthandel - Rene Bernhard, Zurich, 1996/97
- Philatelia T'card '97, Cologne, 1997
- Institut Mathildenhöhe, Darmstadt, 1998
- Mittelrhein-Museum Koblenz, 2001 (Pf)
- Kulturzentrum am Münster, Konstanz, 2003
- Galerie im Malzhaus, Plauen, 2003
- Rosengarten, Mannheim, 2003/04
- Pinakothek, Bad Ragaz, 2005
- Ostholstein-Museum, Eutin, 2007
- Szépmüvészeti Museum, Budapest, 2007/08
- Art Forum Würth, Capena/Rome, 2008
- Minoritenkloster, Tulln, 2008
- Christuskirche, Mainz, 2008
- Musée d'Unterlinden, Colmar, 2008
- Kirche zu St.Jakobi,Stralsund,April/May-Oct. 2009-11 (repetitive)
- Galerie Nievergelt, Zurich, 2010
- Seoul Arts Center Hangaram Design Museum, Seoul, 2010/11
- Kunstlocatie Würth 's-Hertogenbosch, 2011/12
- ARKEN Museum of Modern Art, Ishoj, Denmark, 2014
- Forum Würth Arlesheim, Switzerland, 2014-17
- Quartier Libre SIG, Geneva, 2015/2016
- Buchheim Museum, Bernried, 2016/17
- Schloss Britz, Berlin, 2017
- Amberger Congress Centrum, Amberg, 2018
- *
- Travelling exhibition 1998/99:
- Isetan Museum of Art, Tokyo, 1998
- Museum "EKi", Kyoto, 1998
- Sakura City Museum of Art, Chiba, 1998/99
- *
- Travelling exhibition 1999:
- Takamatsu City Museum of Art, 1999
- Nagoya City Art Museum, 1999
- Hyogo Prefectural Museum of Modern Art, Kobe, 1999
- The Museum of Modern Art, Saitama, 1999
- *
- Travelling exhibition 2004-07: Würth:
- Kulturforum Würth, Chur, 2005/06
- Galleri Würth, Hagan, 2006
- Kulturforum Würth, Kolding, 2006/07
- *
- Travelling exhibition 2006/07:
- The National Museum of Modern Art, Kyoto, 2006
- Musee d`art Mercian Karuizawa, 2006
- Mitsukoshi Museum, Tokyo, 2007
- Shimonoseki Museum, Yamaguchi, 2007
- *
- Travelling exhibition: Hundertwasser...Die Ausstellung:
- Congresshalle, Saarbrücken, 1999
- Lokschuppen Rosenheim, 1999/2000
- Bahnhof Uelzen, Uelzen, 2000
- Veranstaltungshalle des Stadtcafé Ottensen, Hamburg, 2001
- Konzert- und Bühnenhaus Kevelaer, Kevelaer, 2002
- Kaufmannshaus, Große Bleichen, Hamburg, 2004
- Ausstellungshalle Pörringer & Schindler, Zweibrücken, 2004
- Ausstellungshalle Nähe Rathaus, Dillingen/Saar, 2005
- Schloss Fachsenfeld, Aalen, 2006
- Neustädtisches Palais, Schwerin, 2009
- Art´96, Chicago, 1996
- Art´96, Basel, 1996
- Münchner Künstlerhaus, 2014
- Museum de Buitenplaats, Eelde, 2014/2015
- Gerbeaud-Haus, Budapest, 2016
- Friedensreich Hundertwasser, Graphisches Werk 1988-1995, Cologne/Münster, 1995, p. 17 (c)
- A. C. Fürst, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2002, Vol. II, pp. 877/878 (and c), 904
- Galerie Weihergut, Salzburg, 1988 (c)
- Institut Mathildenhöhe, Darmstadt, 1998, p. 215 (c)
- KunstHausWien, Vienna, 1999, p. 76 (c)
- A Magical Eccentric, Szépmüvészeti Múzeum, Budapest, 2007, p. 178
- La raccolta dei sogni, Art Forum Würth, Capena (Rome), 2008, p. 118 (c)
- Caixa Cultural Brasília and Salvador, 2009 (c)
- Seoul Arts Center Hangaram Design Museum, Seoul, 2010/11, pp. 150-151 (and c), 229
- Kirche zu St. Jakobi, Stralsund, 2011, p. 67 (c)
- De Derde Huid, Museum De Buitenplaats, Eelde, 2014/2015, p. 46 (c)
- Leaflet, Kolvenburg, Billerbeck, 2015 (c)
- Hundertwasser Schön & Gut, Buchheim Museum, Bernried, 2016, p. 145 (and c)
- Travelling exhibition 1998/99: Japan, p. 96 (c)
- Travelling exhibition 1999: Japan, pp. 40 (c), 123
- Leaflet, Takamatsu City Museum of Art, 1999 (c)
- Travelling exhibition 2006/07: Japan, p. 30 (c)
- Congresshalle Saarbrücken, 1999, p. 61 (c)
- Lokschuppen Rosenheim, 1999, p. 61 (c)
- Bahnhof Uelzen, Uelzen, 2000, p. 63 (c)
- Veranstaltungshalle des Stadtcafé Ottensen, Hamburg, 2001, p. 45 (c)
- Konzert- und Bühnenhaus Kevelaer, Kevelaer, 2002, p. 57 (c)
- Salzstadel, Regensburg, 2003, p. 57 (c)
- Benrather Karree, Dusseldorf, 2003, p. 57 (c)
- Neue Ausstellungshalle am Rathaus, Dillingen/Saar, 2005, p. 57 (c)
- Schloss Fachsenfeld, Aalen, 2006, p. 57 (c)
- CongressCentrum Böblingen, 2007, p. 57 (c)
- Neustädtisches Palais, Schwerin, 2009, p. 57 (c)
- Svedish National Enzyklopedia, Höganäs, 1992, p. 161 (c)
- Booklet with lecture on work 837 by Minako Tsunoda, Curator, Nagoya City Art Museum, 2000, p. 24 (b)
- A. Feige / M. Hansmann / E. Saling (ed.), Pränatal- und Geburtsmedizin, Nuremberg, 2000 (1999 congress program and report) cover (c)
- Jeu de Piste, Hundertwasser exhibition Quartier Libre SIG, Geneva, 2015, p. 7 (c)
- Visitor Guide / Dossier de Visite, Quartier Libre SIG, Geneva, 2015, p. 8 (c)
- ARKEN exhibition 2014, art print cards, Ishoj, Denmark
Hundertwasser's comment on the work
WINDOW RIGHT
The right to one's window. Every man must have the right to lean out of his window and to recreate and reshape his third skin, the window and the outside walls of his house as far as his arms can reach so that he distinguishes himself from his imprisoned neighbours, and that from far away everybody can see: there lives a free man.