The licence-plate-watch-object is round and square at the same time. It comes in twoversions:
a) a limited edition
signed and hand-numbered 001/700-700/700 in a stained wooden box with ten embossed licence plates (9 x 25.6 cm), nine of the "Länder" (federal states) of Austria and one with the coat-of-arms of imperial Vienna.
All coats-of-arms have been adapted by Hundertwasser for the licence-plates and redesigned according to heraldry.
The face of the watch of the limited, signed and hand-numbered edition bears the letters of the Austrian "Länder", according to the old traditional number plates:S O N B
V T K St
Salzburg - Oberösterreich (Upper Austria) - Niederösterreich (Lower Austria) - Burgenland
Vorarlberg - Tyrol - Kärnten (Carinthia) - Steiermark (Styria)
"W" for Vienna is on the turning disk.
On the reverse of the watch:- the specimen number
- the dates 1988-1998
- Hundertwasser's signature
- The engraved text says:
BLACK ON WHITE. MAINTAIN OUR IDENTITY AND INDEPENDENCE ON THE ROADS OF EUROPE. FOR BEAUTY AND ELEGANCE. WORTHY OF A CULTURE NATION. A SHOWCASE OF AUSTRIA.
b) an unlimited edition
The watch-face of the unlimited version bears the new classification by the capitals of the Austrian "Länder":S L P E
B I K G
Salzburg - Linz - St. Pölten - Eisenstadt
Bregenz - Innsbruck - Klagenfurt - Gaz
Engraved on the reverse: DIE
NUMMERN
TAFEL UHR
The unlimited licence-plate-watch comes in a cardboard box.
Enlarged by an incorporated magnifier, the nine coats-of-arms of the Austrian "Länder" redesigned by Hundertwasser for the number plates, as well as the "W" for Vienna and the "12" for noon, can be adjusted on a turning disc on both editions.
Produced by LAKS WATCH, Vienna.Published by Gruener Janura AG, Glarus.
(after: brochure accompanying 985 Nummerntafel-Uhr/Licence-plate-watch-object, Glarus, 1999)
- Egon Schiele Museum, Tulln, 2004
- Kurhaus Hinterzarten, 2015
- P. Restany, Die Macht der Kunst, Hundertwasser - Der Maler-König mit den fünf Häuten, Cologne, 1998, p. 70 (c) and ed. 2018, p. 66 (c)
- A. C. Fürst, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2002, Vol. II, pp. 1113-1115 (and c)
Hundertwasser's comment on the work
One should not look at the time
but at beauty.
The beauty is timeless.
The condensation of time
has made human beings unfree.
The progress lies in beauty.
(from: Hundertwasser 1928-2000, Catalogue Raisonné, Vol. 2, Taschen, Cologne, 2002, p. 1115)