667
DER HOF DES SULAIMAN
THE COURT OF SULAIMAN
LA COUR DE SULAIMAN
IL CORTILE DI SULAIMAN
Al-Fashir, 1967
Painted in Mellit, near Al-Fashir, in Sulaiman Achmed Hamid's house - Al-Fashir airport building, Sudan, September 9-16, 1967
440 mm x 625 mm
Mixed media: watercolour, egg tempera, ground earth and charcoal with egg on Schoellershammer aluminium cardboard, primed with chalk and PV
- Galleria La Medusa, Rome, 1967
- Travelling exhibition 1968/69:
- University Art Museum, Berkeley, 1968
- Santa Barbara Museum of Art, 1968/69
- The Museum of Fine Arts, Houston, 1969
- The Arts Club of Chicago, 1969
- The Galerie St. Etienne, New York, 1969
- The Phillips Collection, Washington DC, 1969
- W. Schmied, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2000, Vol. I, pp. 64, 66 (c), 202
- A. C. Fürst, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2002, Vol. II, pp. 528/529 (and c)
- Galleria La Medusa, Rome, 1967, cat. 1 (c)
- University Art Museum, Berkeley, 1968, p. 129 (c), cat. 78
- W. Koschatzky (ed.), Druckgraphik Heute, Offenbach am Main, 1990, p. 186 (c)
- Mizue, Aug. 1969, Tokyo (b)
- Hundertwasser 2004 Calendar, Taschen, Cologne (and reprints)
- 2004 Hundertwasser Diary Jahrbuch, Borer & Wörner, Zug
- Hundertwasser 2012 Calendar, Taschen, Cologne (and reprints)
- Hundertwasser Diary 2014, Wörner, Rutesheim
Hundertwasser's comment on the work
Hans Neuffer also invited me to go to Khartoum and persuaded me to fly to El Fasher, deep in the Sudanese desert. There I was welcomed by a police chief with whom I have been friends for a long time now: Gaafer Mohammed Abdel Rahim, who took me deeper into Dafur Province to Mellit, in the south of the Libyan desert. The rainy season began, and no airplane, no lorry, no camel could get out of there. So I stayed in the "train-station building" and painted until the rainy season was over. Now and then I went to the oasis and only had Arabs and camels as company. There was no European there. I was in heaven to be so cut off from everything. My strangest experience was like the one Münchhausen had with the horse on the tower. Every time it rained I went swimming, for the hollows between the sand dunes were transformed into big ponds. The water was so deep - I was in over my head. One hour later there was nothing left to remind me that a deep lake had been there, and where I had just been swimming dry sand ran through my fingers. (from: Hundertwasser 1928-2000, Catalogue Raisonné, Vol. 2, Taschen, Cologne, 2002, pp. 528-529)