629
DER TOD DES MANNEQUINS - DIE PHOTOGRAPHEN
THE DEATH OF THE COVERGIRL
LA MORT DU MANNEQUIN

Venice, 1966
Painted in Venice, Giudecca, July 14, 1966
505 mm x 660 mm
Mixed media: egg tempera, watercolour and oil on Arches paper with aluminium inlay, primed with chalk and PV; mounted on wood
Sammlung Würth, Künzelsau, Germany

  • Travelling exhibition 1967:
  • Galerie Karl Flinker, Paris, 1967
  • Hanover Gallery, London, 1967
  • Galerie Krugier / Galerie Georges Moos, Geneva, 1967
  • Kunstverein Berlin, 1967
  • *
  • Institut Mathildenhöhe, Darmstadt, 1998
  • Toskanische Säulenhalle im Zeughaus, Augsburg, 2002
  • *
  • Würth Exhibitions 2004-07:
  • Kunstlocatie Würth, MK`s-Hertogenbosch, 2004/05
  • Art-Room-Würth, Böheimkirchen, 2005
  • Kulturforum Würth, Chur, 2005/06
  • Galleri Würth, Hagan, 2006
  • Kulturforum Würth, Kolding, 2006/07
  • *
  • Art Forum Würth, Capena/Rome, 2008
  • KunstHausWien, Vienna, 2008/09
  • Sparkasse Academy, Bozen, 2010/11
  • Forum Würth Arlesheim, Switzerland, 2014-17
  • Hammerlunds Kunsthandel, Oslo, 1965
  • Museum Würth, Künzelsau, 2013/14
  • Art Forum Würth Capena, Italy, 2017-19
  • W. Schmied, Hundertwasser - Der Weg zu Dir, Frankfurt am Main, 1967, ed. 1971, 1974, pl. 16 (c), p. 67
  • J.F. Mathey, Hundertwasser, Munich, 1985 and 1992, p. 54 (c)
  • A. C. Fürst, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2002, Vol. II, p. 507 (c)
  • Norsk Kunst Hammerlund, Oslo, 1966 (b)
  • Galerie Karl Flinker, Paris 1967 (c)
  • Hanover Gallery, London, 1967 (c)
  • Galerie Krugier / Galerie Georges Moos, Geneva, 1967 (c)
  • Kunstverein Berlin, 1967 (c)
  • Institut Mathildenhöhe, Darmstadt, 1998, p. 63 (c)
  • Toskanische Säulenhalle im Zeughaus, Augsburg, 2002, p. 21 (c)
  • Leaflet, Kulturforum Würth, Chur, 2005/06 (c)
  • Leaflet, KunstHausWien, Vienna, 2008 (c)
  • Der unbekannte Hundertwasser, KunstHausWien, Vienna, 2008, pp. 98 (and c), 289
  • La raccolta dei sogni, Art Forum Würth, Capena (Rome), 2008, p. 77 (c)
  • Sparkasse Academy, Bozen, 2010/11, pp. 8/9 (c)
  • HW-Die Kunst des grünen Weges, KunstHausWien, Vienna, 2011, pp. 101 (c), 214
  • A.E.I.O.U., Museum Würth, Künzelsau/Germany, 2013, p. 100 (c)
  • Von Hockney bis Holbein. Die Sammlung Würth in Berlin, Martin-Gropius-Bau, Berlin, 2015, p. 306 (c)
  • Leaflet, Art Forum Würth, Capena (Rome), 2017 (c)
  • Kunst + Unterricht, no. 235, Sept. 1999, Seelze, p. 47 (c)
  • Sammler Journal, no. 3, March 2009, Reichertshausen, p. 75 (c)
  • Hundertwasser 2012 Calendar, Taschen, Cologne (and reprints)

Hundertwasser's comment on the work

"Photography kills. The camera is the evil eye. I was involved with a photographer's model and I got an inside look at it. Another one took her own life because she thought she was getting too fat. (from: Hundertwasser 1928-2000, Catalogue Raisonné, Vol. 2, Taschen, Cologne, 2002, p. 507)"