615
MAISON NEE A STOCKHOLM, MORTE A PARIS UND DIE BEWEINUNG MEINER SELBST ET JE ME PLEURE MOI-MEME
HOUSE BORN IN STOCKHOLM, DIES IN PARIS AND MYSELF MOURNING IT
Venice, 1966
Painted in Stockholm, January 1965 - Flen, January 8 - Venice, January 9 and September - La Picaudiere, October 1965 - Weibern, January 2, 1966 - Linz, January 3 - Venice, Giudecca, February 4, 1966
810 mm x 600 mm
Mixed media: watercolour on drawing paper, primed with chalk and PV, mounted on hemp with vinyl cellulose in Venice, September 1965, finished with PV watercolour and oil
- Travelling exhibition 1967:
- Galerie Karl Flinker, Paris, 1967
- Hanover Gallery, London, 1967
- Galerie Krugier / Galerie Georges Moos, Geneva, 1967
- Kunstverein Berlin, 1967
- *
- Travelling exhibition 1968/69:
- University Art Museum Berkeley, 1968
- Santa Barbara Museum of Art, 1968/69
- The Museum of Fine Arts, Houston, 1969
- The Arts Club of Chicago, 1969
- The Galerie St. Etienne, New York, 1969
- The Phillips Collection, Washington DC, 1969
- *
- Aberbach Fine Art, New York, 1973
- *
- World Travelling Museum Exhibition:
- Musée d'Art Moderne de la Ville de Paris, 1975
- Musée de l'Etat, Luxembourg, 1975
- Musée Cantini, Marseille, 1975
- A.S.U. Hall, Cairo, 1975
- The Tel Aviv Museum, 1976
- Muzeum Narodowe, Warsaw, 1976
- National Gallery of Iceland, Reykjavik, 1976
- Statens Museum for Kunst, Copenhagen, 1976
- *
- Landau Fine Art, Montreal, 1994
- Institut Mathildenhöhe, Darmstadt, 1998
- Fine Art Galerie, Vienna, since May 2013
- Art & Antique. Hofburg, Vienna, 2013
- art austria, Vienna, 2015
- Art Austria, Vienna, 2016 (Baha Fine Art, Vienna)
- Art Austria, Gartenpalais Liechtenstein, Vienna, 2017 (Baha)
- Art Salzburg Contemporary, Messezentrum Salzburg, 2017 (Baha)
- Art Austria, Gartenpalais Liechtenstein, Vienna, 2018 (Baha)
- W. Schmied, Hundertwasser - Der Weg zu Dir, Frankfurt am Main, 1967, ed. 1971, 1974, pl. 10 (c), p. 66
- J.F. Mathey, Hundertwasser, Munich, 1985 and ed. 1992, p. 31 (c)
- W. Schmied, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2000, Vol. I, pp. 172 (c), 187, 192
- A. C. Fürst, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2002, Vol. II, pp. 495/496 (and c)
- F. Hundertwasser / P. Restany, Hundertwasser, New York, 2008, p. 133 (c)
- Galerie Karl Flinker, Paris, 1967 (c)
- Hanover Gallery, London, 1967 (c)
- Galerie Krugier / Galerie Georges Moos, Geneva, 1967 (c)
- Kunstverein Berlin, 1967 (c)
- University Art Museum, Berkeley, 1968, p. 117 (c), cat. 66
- Aberbach Fine Art, New York, 1973, p. 23 (c)
- Musée d'Art Moderne de la Ville de Paris, 1975, p. 353 (c)
- Musée de l'Etat, Luxembourg, 1975, p. 255 (c)
- Musée Cantini, Marseille, 1975, p. 255 (c)
- A.S.U. Hall, Cairo, 1975, cover (c), p. 255 (c)
- Tel Aviv Museum, Israel, 1976, p. 183 (c)
- National Gallery of Iceland, Reykjavik, 1976, p. 183 (c)
- Supplementary edition, Reykjavik, 1976, p. 36
- Statens Museum for Kunst, Copenhagen, 1976, p. 353 (c)
- Supplementary edition no. 2, Copenhagen, 1976, p. 21
- Musée Dynamique, Dakar, 1976, p. 353 (c)
- Musée des Beaux-Arts, Montreal, 1978, p. 353 (c)
- Palais des Beaux-Arts, Brussels, 1978, p. 353 (c)
- Landau Fine Art, Montreal 1994, p. 19 (c)
- Institut Mathildenhöhe, Darmstadt, 1998, p. 84 (c)
- Musée des Beaux-Arts et de la Dentelle, Alençon, 2001, p. 44
- H.H. Arnason, History of Modern Art, New York, undated (c. 1970), pl. 222 (c)
- W. Schurian, Kunst.Erfahrung, China, 2005, p. 343 (detail, b)
- FINE ART Kunsthandel GmbH (ed.), Friedensreich Hundertwasser - Meisterwerke, Vienna, 2013, pp. 19-21 (and c)
- V. Gamper / H.-P. Wipplinger (ed.), Egon Schiele, Expression und Lyrik, Vienna, 2018, p. 115 (c)
- San Francisco Examiner and Chronicle, Oct. 6, 1968 (b)
- Protokolle, Vienna, 1968 (c)
- The Washington Post, July 20, 1969 (c)
- Avantgarde, nr. 10, Jan. 1970, New York, p. 39 (c)
- National Jewish Monthly, vol. 88, no. 7, March 1974, New York, p. 8 (c)
- Art International, Vol. XIX, March 1975, Lugano, p. 17 (b)
- Das Magazin pfiff, Aug. 1994, Nonnenhorn, p. 6 (c)
- Postcard, Basler Druck- und Verlagsanstalt, Basel, 1968 (repr.)
- Art Calendar 1975, Cicero GmbH, Stuttgart (May, postcard)
- Art Calendar 1976, Cicero GmbH, Stuttgart (May, postcard)
- Invitation card, A.S.U. Hall, Cairo, 1975
- Postcard, Gruener Janura AG, Glarus, 1984
- Postcard, Joram Harel Management, Vienna, 1987
- Hundertwasser Pocket Art and Pocket Art 95, Borer & Wörner, Zug
- Hundertwasser 2004 Calendar, Taschen, Cologne (and reprints)
- Hundertwasser Pocket Art 2004, Borer & Wörner, Zug
- Hundertwasser 2012 Calendar, Taschen, Cologne (and reprints)
- Hundertwasser Pocket Art 2014, Wörner, Rutesheim
- Hundertwasser 2015 Calendar, Taschen, Cologne (box backcover)
- Invitation card, Baha Fine Art, Vienna, 2016
- Hundertwasser Agenda 2019, Wörner Verlag, Rutesheim
- Calendar, Hundertwasser Art 2020, Wörner Verlag, Rutesheim
Hundertwasser's comment on the work
All I wanted to achieve was to get the colours yellow and blue vibrating. Of course I was sad, too. You cry a lot in paradise. In hell you have no tears. (from: Hundertwasser 1928-2000, Catalogue Raisonné, Vol. 2, Taschen, Cologne, 2002, p. 495)