165
ARCADE HOUSE WITH YELLOW TOWER
ARKADENHAUS UND GELBER TURM
MAISON AUX ARCADES AVEC TOUR JAUNE
St. Maurice/Seine, 1953
St. Maurice/Seine, July 1953
1240 mm x 900 mm
Watercolour on paper, primed with chalk, zinc white and fish glue
Painted in the company of fellow artists Kurt Moldovan and Bernard. Hundertwasser exchanged this painting against an iron sculpture by Shinichi Tajiri in August, 1953.
mehr weniger- Travelling exhibition 1964/65:
- Kestner-Gesellschaft, Hanover, 1964
- Kunsthalle Bern, 1964
- Karl-Ernst-Osthaus-Museum, Hagen, 1964
- Stedelijk Museum, Amsterdam, 1964
- Moderna Museet, Stockholm, 1965
- Museum des 20. Jahrhunderts, Vienna, 1965
- Kunsthal Rotterdam, 2004
- Cobra Museum, Amstelveen, 2013/14
- 1W. Hofmann, Hundertwasser, Salzburg, 1965, pl. 9 (c)
- W. Schmied, Hundertwasser, Salzburg, 1974, pl. 31, p. 312
- Das Hundertwasser Haus, Vienna, 1985, p. 22 (c)
- Hundertwasser Architektur, Cologne, 1996, p. 21 (c) and ed. 2006, p. 17 (c)
- W. Schmied, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2000, Vol. I, p. 43 (c)
- A. C. Fürst, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2002, Vol. II, pp. 245-247 (and c)
- Kestner-Gesellschaft, Hanover, 1964, p. 120
- Moderna Museet, Stockholm, 1964, cat. 20
- Museum des 20. Jahrhunderts, Vienna, 1965, cat. 28
- Hebel, Wohnbau, Fürstenfeldbruck, 1996 (cover,c)
- Neues Forum, no. 155-156, Nov./Dec. 1966, Vienna (c)
- Das Wüstenrot Heim, Sep. 1981, Salzburg, pp. 12/13 (b)
- Art & Design, July/Aug. 1986, London, p. 42 (c)
- Postcard, Verlag Galerie Welz, Salzburg, 1968 (repr.)
- Fine Art Print, Verlag Galerie Welz, Salzburg, 1976
- Hundertwasser Art Calendar 1990, B. Wörner, Rutesheim (small size, February)
- Hundertwasser Agenda, B. Wörner, Rutesheim 1993
- Hundertwasser Adressbuch, B. Wörner, Rutesheim 1993
- Art Calendar: Hundertwasser Architektur 1995, cover (detail, mirrored)
- Postcard (maximum card), F.S.P.L. (Fédération des Sociétés philatéliques du Grand-Duché de Luxembourg), Ferdinand Quintus, Luxembourg, 1995
- Hundertwasser Furoshiki, KunstHausWien MuseumShop, Vienna 1995
- Hundertwasser Diary 1997 and Hundertwasser Directory, Borer & Wörner, Zug, 1996
- Hundertwasser 2004 Calendar, Taschen, Cologne (and reprints)
- Hundertwasser Pocket Art 2004, Borer & Wörner, Zug
- Hundertwasser Pocket Art Address book, Borer & Wörner, Zug, 2006 (detail)
- Hundertwasser Pocket Art Perpetual Calendar, Borer & Wörner, Zug, 2006 (detail)
- Hundertwasser Pocket Art 2007, Borer & Wörner, Zug
- Hundertwasser Pocket Art 2009, Wörner, Rutesheim
- Hundertwasser Pocket Notes, Wörner, Rutesheim, 2011
- Hundertwasser Pocket Art 2012, Wörner, Rutesheim
- Hundertwasser 2012 Calendar, Taschen, Cologne (and reprints)
- Calendar, Hundertwasser Art 2015, Wörner, Rutesheim
- Hundertwasser Pocket Art 2015, Wörner, Rutesheim
- Hundertwasser Art Calendar 2016 (small size), Wörner, Rutesheim
- Hundertwasser Agenda 2018, Wörner Verlag, Rutesheim
Hundertwasser's comment on the work
Here the building in Vienna on the corner of Kegelgasse and Löwengasse is anticipated as in a dream: the varied windows, the frames, the colourful lines, the arcades and the tower. Very interesting is the person pissing on the roof, a further perscient element. During construction I noticed that urinating right in the building during construction is not only permitted, it is obligatory. For if a workman working on the eighth storey ran downstairs to urinate, the construction company would lose a lot of work time.
(from: Hundertwasser Architecture, Cologne, 1997, p. 20)
This was a trade for an iron sculpture by Shinkichi Tajiri, who was just as influential in shaping my life as far as sculpture was concerned as Brô was in painting and Christian Hunziker in architecture. Tajiri had a studio in Rue d'Odessa in Montparnasse, and his alabaster-warrior and black-dragonfly iron constructions have always impressed me so much that I regarded them as a yardstick for all other sculptures.
Forty years later, when I was myself working from dawn till dusk on the "Hundertwasser House", I noticed that the whole construction shell reeked of urine. When I asked the foreman and the building supervisor about it, they said it would cost the building sponsors a fortune if every bricklayer would climb down many storeys just to urinate. Half an hour's productivity loss every time. Therefore one may, indeed must, urinate wherever one is working at that moment. It was thus only much later that I understood the painted premonition of this picture. (see also 606, 348, 700) (from: Hundertwasser 1928-2000, Catalogue Raisonné, Vol. 2, Taschen, Cologne, 2002, p. 246)