APA 150
775 A
ARCHE NOAH 2000
Du bist Gast der Natur - Verhalte Dich entsprechend

Two colour variants, green and red

1981
Gruener Janura AG, Glarus (repr.)
840 mm x 594 mm
Offset print in 6 colours with metal embossings in 2 colours
B. Wörner, Gerlingen, Germany

The poster was created for and donated to "Arche Noah 2000" (Noah's Ark 2000), a worldwide nature-conservation initiative of the German League for the Environment and Nature Conservation (BUND), together with the German TV magazine "Hörzu" in 1981.One of the objectives was to promote the cause of conservation in Europe's most widely read magazines. From autumn 1980 to 1981, scientists, artists, politicians and other interested parties were asked to write and speak about conservation and environmental protection in magazines, on television, in speeches etc. Hundertwasser's poster announced this Europe-wide conservation and environmental-protection campaign in all media and served as its icon. The proceeds from the sale of the poster went to the campaign. The initiative was accompanied by a series of lectures, delivered by Hundertwasser, which was organised by the Friedrich Naumann Foundation, Bonn.In 1982 the poster was presented to the Center of Environmental Education in Washington, D. C. In 1996 Hundertwasser donated the poster to the World Commission on Forests and Sustainable Development, in Woods Hole, Massachusetts.

mehr weniger
  • Alte Schmiede, Schönberg, 2002
  • Minoritenkloster, Tulln, 2004
  • Christuskirche, Mainz, 2008
  • Fernwärme Wien (Hundertwasser Path), Vienna, 2009
  • Kirche zu St.Jakobi,Stralsund,April/May-Oct. 2009-11 (repetitive)
  • Caixa Cultural Brasília and Salvador, 2009
  • Baukurs Cultural, Rio de Janeiro, 2010
  • KunstHausWien, Vienna, 2011
  • Forum mondial de l'eau, Marseille, 2012
  • Bibliothèque Alcazar, du Merlan et du Panier, Marseille, 2012
  • Kitakata City Museum of Art, Kitakata, 2014
  • Osthaus Museum, Hagen, 2015
  • Buchheim Museum, Bernried, 2016/17
  • Sejong Museum of Art, Seoul, 2016/17
  • Residenzschloss Ludwigsburg, 2017
  • Volksbank Leonberg, 2017
  • The Terrace, Jerusalem, 2017
  • Hofgartensaal der Residenz, Kempten, 2017/18
  • Musée de Millau et des Grands Causses, Millau, 2018
  • Donuimun Museum Village, Seoul, 2018/19
  • Kunsthaus Apolda Avantgarde, 2021
  • Hundertwasser Art Centre, Whangarei, since Feb. 2022
  • P. Restany, Die Macht der Kunst, Hundertwasser - Der Maler-König mit den fünf Häuten, Cologne, 1998, p. 84 (c) and ed. 2018, p. 81 (c)
  • W. Schmied, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2000, Vol. I, p. 271 (c)
  • A. C. Fürst, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2002, Vol. II, pp. 998 (c), 1013/1014
  • B. Stieff, Hundertwasser für Kinder, Munich, 2007, p. 68 (c)
  • F. Hundertwasser / P. Restany, Hundertwasser, New York, 2008, p. 196 (c)
  • Mein Kunstmalbuch, Phantasiereisen mit Hundertwasser, Munich, 2008, p. 21 (c)
  • Briefmarkenbuch, Vienna, 2008, (c)
  • G. Illetschko, Planet Hundertwasser, Munich, 2012, p. 83 (c)
  • Art Souvenir - Hundertwasser, In the Colour of His Brush, London, 2016, pp. 70 (c), 91
  • Pucker Gallery, Boston, 2003, p. 12 (c)
  • Minoritenkloster, Tulln, 2004, p. 121 (c)
  • Caixa Cultural Brasília and Salvador, 2009 (and c)
  • Aus dem graphischen Werk AUSDRUCK UND VISION, Galerie-F Edition, Kranenburg, 2010, p. 74 (c)
  • Seoul Arts Center Hangaram Design Museum, Seoul, 2010/11, pp. 212-213 (and c), 229
  • Kirche zu St. Jakobi, Stralsund, 2011, p. 84 (c)
  • Hundertwasser Schön & Gut, Buchheim Museum, Bernried, 2016, p. 167 (c)
  • Hundertwasser, The Green City, Sejong Museum of Art, Seoul, 2016, pp. 210 (and c), 260
  • Pucker Gallery, Boston, 2003, p. 12 (c)
  • Minoritenkloster, Tulln, 2004, p. 121 (c)
  • Caixa Cultural Brasília and Salvador, 2009 (and c)
  • Aus dem graphischen Werk AUSDRUCK UND VISION, Galerie-F Edition, Kranenburg, 2010, p. 74 (c)
  • Seoul Arts Center Hangaram Design Museum, Seoul, 2010/11, pp. 212-213 (and c), 229
  • Kirche zu St. Jakobi, Stralsund, 2011, p. 84 (c)
  • Hundertwasser Schön & Gut, Buchheim Museum, Bernried, 2016, p. 167 (c)
  • Hundertwasser, The Green City, Sejong Museum of Art, Seoul, 2016, pp. 210 (and c), 260
  • Pucker Gallery, Boston, 2003, p. 12 (c)
  • Minoritenkloster, Tulln, 2004, p. 121 (c)
  • Caixa Cultural Brasília and Salvador, 2009 (and c)
  • Aus dem graphischen Werk AUSDRUCK UND VISION, Galerie-F Edition, Kranenburg, 2010, p. 74 (c)
  • Seoul Arts Center Hangaram Design Museum, Seoul, 2010/11, pp. 212-213 (and c), 229
  • Kirche zu St. Jakobi, Stralsund, 2011, p. 84 (c)
  • Hundertwasser Schön & Gut, Buchheim Museum, Bernried, 2016, p. 167 (c)
  • Hundertwasser, The Green City, Sejong Museum of Art, Seoul, 2016, pp. 210 (and c), 260
  • Pucker Gallery, Boston, 2003, p. 12 (c)
  • Minoritenkloster, Tulln, 2004, p. 121 (c)
  • Caixa Cultural Brasília and Salvador, 2009 (and c)
  • Aus dem graphischen Werk AUSDRUCK UND VISION, Galerie-F Edition, Kranenburg, 2010, p. 74 (c)
  • Seoul Arts Center Hangaram Design Museum, Seoul, 2010/11, pp. 212-213 (and c), 229
  • Kirche zu St. Jakobi, Stralsund, 2011, p. 84 (c)
  • Hundertwasser Schön & Gut, Buchheim Museum, Bernried, 2016, p. 167 (c)
  • Hundertwasser, The Green City, Sejong Museum of Art, Seoul, 2016, pp. 210 (and c), 260
  • PGM - Poster Gallery Munich, Angebotskatalog, 1990, p. 118 (c)
  • W. Menzel (ed.), Pusteblume 3, Hannover, 2001, p. 91 (c)
  • W. Menzel (ed.), Kleeblatt 4, Hannover, 2003, p. 93 (c)
  • W. Menzel (ed.), Pusteblume 3, Braunschweig, 2006, p. 64 (c)
  • W. Menzel (ed.), Pusteblume 3, Materialien, Braunschweig, 2008, p. 50 (b)
  • B. Dehnen, Stepping Stones, Leicester, 2011, cover (c), p. 19 (c)
  • I. Bosold / W. Michalke-Leicht, Mittendrin 7/8, Munich, 2013, p. 125 (c)
  • I. Bosold / W. Michalke-Leicht, Mittendrin 7/8/9 plus 10, Munich, 2014, p. 85 (c)
  • R. Eberlein / S. Krull / I. Messelken et al., Bausteine, Lesebuch 4, Braunschweig, 2016, p. 20 (c)
  • Bausteine 4, Interaktive Tafelbilder, Braunschweig, 2017, pl. 5 (DVD)
  • Hörzu, no. 42/81, Vienna, p. 50 (c)
  • 50 Jahre Archiv des Liberalismus, Friedrich Naumann Stiftung, Gummersbach, 2018, p. 61 (c)
  • Postcard, Gruener Janura AG, Glarus, 1987 (repr.)
  • Poster tear off, Fernwärme Wien, Vienna, 2009
  • Art print: Wörner, Rutesheim, 2009
  • T-shirt, graphis inc., Tokyo, 2012
  • showcase presentation, Westenholzer Kunst- und Themenweg, Delbrück, 2015 (c)
  • Postcard, Gruener Janura AG, Glarus, 1987 (repr.)
  • Poster tear off, Fernwärme Wien, Vienna, 2009
  • Art print: Wörner, Rutesheim, 2009
  • T-shirt, graphis inc., Tokyo, 2012
  • showcase presentation, Westenholzer Kunst- und Themenweg, Delbrück, 2015 (c)
  • Postcard, Gruener Janura AG, Glarus, 1987 (repr.)
  • Poster tear off, Fernwärme Wien, Vienna, 2009
  • Art print: Wörner, Rutesheim, 2009
  • T-shirt, graphis inc., Tokyo, 2012
  • showcase presentation, Westenholzer Kunst- und Themenweg, Delbrück, 2015 (c)
  • Postcard, Gruener Janura AG, Glarus, 1987 (repr.)
  • Poster tear off, Fernwärme Wien, Vienna, 2009
  • Art print: Wörner, Rutesheim, 2009
  • T-shirt, graphis inc., Tokyo, 2012
  • showcase presentation, Westenholzer Kunst- und Themenweg, Delbrück, 2015 (c)