ARCH 22/I
766
TREE TENANT
Architecture drawing Wien / Vienna, 1976
297 mm x 210 mm
Ink and watercolour on paper
A more elaborate version of the tree tenant drawing based on the drawing in the letter to Giulio Macchi, done in three language versions: German, English and French
mehr weniger- Ginza Pocket Park Gallery, Tokyo, 1992
- Travelling exhibition 1999:
- Takamatsu City Museum of Art, 1999
- Nagoya City Art Museum, 1999
- Hyogo Prefectural Museum of Modern Art, Kobe, 1999
- The Museum of Modern Art, Saitama, 1999
- *
- Christuskirche, Mainz, 2008
- KunstHausWien, Vienna, 2011
- Le Musée en Herbe, Paris, 2013/14
- Osthaus Museum, Hagen, 2015
- Quartier Libre SIG, Geneva, 2015/2016
- Sejong Museum of Art, Seoul, 2016/17
- Wohnen in Wien, Dusseldorf, 1989
- Cranach Stiftung Wittenberg, 2006
- Museum de Buitenplaats, Eelde, 2014/2015
- J. F. Mathey, Hundertwasser, Naefels and Munich, 1985 and ed. Bindlach, 1992, p. 77 (b)
- Das Hundertwasser Haus, Vienna, 1985, p. 112, 113 (c)
- H. Rand, Hundertwasser, Cologne, 1991, p. 170 (c) and ed. 1993, p. 148 (c)
- Hundertwasser Architektur, Cologne, 1996, p. 85 (c) and ed. 2006, p. 67 (c), 311
- P. Restany, Die Macht der Kunst, Hundertwasser - Der Maler-König mit den fünf Häuten, Cologne, 1998, p. 31 (c) and ed. 2018, p. 33 (c)
- W. Schmied, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2000, Vol. I, p. 25 (c)
- A. C. Fürst, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2002, Vol. II, pp. 1192/1193 (and c)
- B. Stieff, Hundertwasser für Kinder, Munich, 2007, p. 55 (c)
- F. Hundertwasser / P. Restany, Hundertwasser, New York, 2008, p. 184 (c)
- Regentag-Wassergläser für das Leben, Vienna, 2011, p. 78 (c, German and English edition)
- G. Illetschko, Planet Hundertwasser, Munich, 2012, p. 98 (c)
- W. Viernstein, Friedensreich Hundertwasser, Saarbrücken, 2015, p. 46 (b)
- Haus der Kunst, Munich, 1975, p. 368 (c)
- World Travelling Museum Exhibition:
- Musée d'Art Moderne de la Ville de Paris, 1975, p. 492 (c)
- Musée de l'Etat, Luxembourg, 1975, p. 546 (c)
- Musée Cantini, Marseille, 1975, p. 546 (c)
- A.S.U. Hall, Cairo, 1975, p. 546 (c)
- The Tel Aviv Museum, 1976, p. 486 (c)
- Muzeum Narodowe, Warsaw, 1976, p. 368 (c)
- Statens Museum for Kunst, Copenhagen, 1976, p. 492 (c)
- Musée Dynamique, Dakar, 1976, p. 493 (c)
- South African National Gallery, Cape Town/Pretoria Art Museum, 1977, p. 486 (c)
- Museu de Arte Moderna, Rio de Janeiro/Museu de Arte, Sao Paulo/Palácio Itamaraty, Brasilia, 1977, p. 486 (c)
- Museo de Bellas Artes, Caracas, 1977, p. 486 (c)
- Museo de Arte Moderno, Mexico City, 1978, p. 486 (c)
- Musée des Beaux-Arts, Montreal, 1978, p. 492 (c)
- Royal Ontario Museum, Toronto, 1978, p. 486 (c)
- Palais des Beaux-Arts, Brussels, 1978, p. 492 (c)
- Seedamm- Kulturzentrum, Pfäffikon/Lake Zurich, 1979, p. 368 (c)
- Palazzo Barberini, Rome, 1980, p. 486 (c)
- Sonja Henies og Niels Onstads Stiftelser Kunstsentret, Hovikodden, 1980, p. 486 (c)
- Museum Ludwig, Cologne, 1980, p. 465 (c)
- Secession, Vienna, 1981, p. 466 (c)
- Kulturhaus, Graz, 1981, p. 466 (c)
- Helsingin kaupungin taidemuseo, Helsinki, 1981, p. 486 (c)
- Barbican Art Gallery, London, 1983, p. 486 (c) **
- Wonen in Wenen - Sociale Woningbouw met visie (Europalia 87 Österreich), Hessenhuis, Antwerp, 1987, p. 134 (c)
- Wohnen in Wien, Dusseldorf, 1989, p. 96 (b
- Travelling exhibition 1999: Japan, p. 59 (c)
- Caixa Cultural Brasília and Salvador, 2009 (c)
- HW-Die Kunst des grünen Weges, KunstHausWien, Vienna, 2011, pp. 158 (c), 215
- Gegen den Strich. Werke 1949-1970, Kunsthalle Bremen, 2012/13, p. 125 (c)
- ARKEN Museum of Modern Art, Ishoj, 2014, p. 48 (c)
- De Derde Huid, Museum De Buitenplaats, Eelde, 2014/2015, pp. 12, 39 (c)
- Hundertwasser, The Green City, Sejong Museum of Art, Seoul, 2016, pp. 168 (c), 258
- Heute - und die 30 Jahre davor, Munich, 1878, p. 275 (b)
- Mobil Oil Austria AG (Ed.), Österreicher die der Welt gehören, Vienna, 1979, p. 94 (c)
- Ute/Wolfgang Schönpflug, Kernkurs: Problemlösen, Tübingen, 1983, p. 30 (b)
- Friedhelm Niggemeier, Kunstwerke, Stuttgart, 1996, p. 60 (b)
- Blaue Blume - Deutsch als Fremdsprache, Ismaning, 2002, p. 328 (b)
- Panorama, Raum und Zeit, Bern, 2005, plate KM 20 (b)
- V. Willemin, maisons vivanes, Paris, 2006, p. 78 (c)
- Panorama, Raum und Zeit, Bern, 2010, plate KM 20 (b)
- S. Barbaux, jardins singuliers / unique gardens, Paris, 2015, p. 42 (c)
- J. VanderGoot (ed.), Architecture and the forest aesthetic, New York, 2018, p. 247 (b)
- Panorama, Raum und Zeit, Klassenmaterial, Bern, 2018, plate KM 20 (b)
- Le Sauvage, Oct. 1976, Paris, p. 20 (b)
- pardon, no. 2, Feb. 1977, Frankfurt, p. 19 (c)
- arts, no. 194, Sep. 1979, Paris, p. 19 (b)
- Pourquoi l'art, no. 201, April 1980, Paris, p. 5 (b)
- Detail, Zeitschrift für Architektur + Baudetail, nr. 5, Sept. 1983, Munich, p. 425 (b)
- Japan Landscape, nr. 26, 1993, Tokyo, p. 15 (c)
- P.U.R.E. vol. 1, 2000, London, p. 86 (c)
- Dada, Paris, no. 127, 2007, p. 10 (c)
- Yoga Journal, no. 43, May 2010, Milan, p. 31 (c)
- KLUB ARKEN, December, 2013, p. 9 (c)
- TRANSIT, Nov. 2015, Toyko, p. 157 (c)
- Ecovision21, no. 156, October 2016, Seoul, cover (c), p. 18 (c)
- Hundertwasser 2004 Calendar, Taschen, Cologne
- ARKEN exhibition 2014, art print cards, Ishoj, Denmark (c)
- postcard, KunstHausWien, Vienna, 2016 (c)