Hundertwasser's comment on the work

The terrace layers attracted me as if by magic. At the time I didn't yet know how I would use them. (from: Cat. Albertina, Vienna, 1974, p. 72) This is the visually experienced origin of the sediment-layer lines: striped material. Tight spiral lines are a major component of my work, e. g., 52 Coffee-Mill on Hand-Made Rug, 53 Tables in a Trattoria with Red and White Striped Table Cloths, 58 Houses and Port of Portofino, 75 Gepflügter Acker am Rundhang im Regen (Ploughed Field on Round Slope in the Rain), and of course the Hamburg Spiral of 1959 and, most recently, the sediment layers of the Forest Spiral of Darmstadt, which has been under construction since 1999. (from: Hundertwasser 1928-2000, Catalogue Raisonné, Vol. 2, Taschen, Cologne, 2002, p. 102)

JW 76
TERRASSENLANDSCHAFT BEI STIEFERN
Terraced Landscape near Stiefern

Drawing/(Coloured) Pencil, Watercolour
Near Stiefern, 1945
Painted near Stiefern, September 1945
200 mm x 150 mm
Pencil and watercolour on drawing paper, unfinished
Hundertwasser Art Centre, Whangarei

  • Albertina, Vienna, 1974
  • Alte Schmiede, Schönberg, 2002
  • *
  • Exhibition Tour Japan 2006/07:
  • The National Museum of Modern Art, Kyoto, 2006
  • Musee d`art Mercian Karuizawa, 2006
  • Mitsukoshi Museum, Tokyo, 2007
  • Shimonoseki Museum, Yamaguchi, 2007
  • *
  • Landesmuseum, Mainz, 2008
  • Wasserschloss Bad Rappenau, 2008
  • Seoul Arts Center Hangaram Design Museum, Seoul, 2010/11
  • KunstHausWien, since February 2013 - Nov. 2019
  • Leopold Museum, Vienna, 2020
  • Hundertwasser Art Centre, Whangarei, since Feb. 2022
  • A. C. Fürst, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2002, Vol. II, pp. 101/102 (and c)
  • Albertina, Vienna, 1974, pp. 76 (c), 166
  • Travelling Exhibition Japan, 2006, p. 21 (c)
  • Seoul Arts Center Hangaram Design Museum, Seoul, 2010/11, pp. 48 (c), 226