ARCH 10
LOS VON LOOS (LOOSE FROM LOOS) - A LAW PERMITTING INDIVIDUAL BUILDING ALTERATIONS OR ARCHITECTURE BOYCOTT MANIFESTO

Speech on architecture

Vienna, Presseclub Concordia, 1968

For Hundertwasser it is the rational, sterile architecture, built following the tradition of the Austrian architect Adolf Loos ("Ornament and Crime") in its deadly monotony, which is responsible for human misery. He calls for a boycott of this type of architecture, demands creative freedom of building, as well as the right to individualisation of structures.

mehr weniger
  • KunstHausWien, Vienna, 2011
  • MUMOK, Vienna, 2008/09
  • W. Schurian (ed.), Schöne Wege, Munich, 1983, pp. 174-179
  • Das Hundertwasserhaus, Vienna, 1985, pp. 61-64
  • H. Rand, Hundertwasser, Cologne, 1991, pp. 138-139 and ed. 1993, pp. 118-119
  • Hundertwasser Architektur, Cologne, 1996, pp. 58-61 and ed. 2006, pp. 44-47, 311
  • W. Schmied, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2000, Vol. I, pp. 124/125
  • A. C. Fürst, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2002, Vol. II, pp. 1178/1179
  • F. Hundertwasser / P. Restany, Hundertwasser, New York, 2008, pp. 135-139
  • M. Stürmer, Hundertwasser Kunstbauwerke in Österreich, Vienna, 2004, p. 114
  • Haus der Kunst, Munich, 1975, pp. 356-365
  • World Travelling Museum Exhibition:
  • Musée d'Art Moderne de la Ville de Paris, 1975, pp. 477-487
  • Musée de l'Etat, Luxembourg, 1975, pp. 531-541
  • Musée Cantini, Marseille, 1975, pp. 531-541
  • A.S.U. Hall, Cairo, 1975, pp. 531-541
  • The Tel Aviv Museum, 1976, pp. 470-481
  • Muzeum Narodowe, Warsaw, 1976, pp. 356-365
  • National Gallery of Iceland, Reykjavik, 1976, pp. 394-405
  • Statens Museum for Kunst, Copenhagen, 1976, pp. 477-487
  • Musée Dynamique, Dakar, 1976, pp. 477-487
  • Seibu Museum of Art, Tokyo, 1977, pp. 470-481
  • South African National Gallery, Cape Town/Pretoria Art Museum, 1977, pp. 470-481
  • Museu de Arte Moderna, Rio de Janeiro/Museu de Arte, Sao Paulo/Palácio Itamaraty, Brasilia, 1977, pp. 470-481
  • Museo de Bellas Artes, Caracas, 1977, pp. 470-481
  • Museo de Arte Moderno, Mexico Ciy, 1978, pp. 470-481
  • Musée des Beaux-Arts, Montreal, 1978, pp. 477-487
  • Royal Ontario Museum, Toronto, 1978, pp. 470-481
  • Palais des Beaus-Arts, Brussels, 1978, pp. 477-487
  • Seedamm-Kulturzentrum, Pfäffikon/Lake Zurich, 1979, pp.356-365
  • Palazzo Barberini, Rome, 1980, pp. 470-481
  • Sonja Henies og Niels Onstads Stiftelser Kunstsentret, Hovikodden, 1980, pp. 470-481
  • Museum Ludwig, Cologne, 1980, pp. 310-328
  • Secession Vienna, 1981, pp. 310-328
  • Kulturhaus, Graz, 1981, pp. 310-328
  • Helsingin kaupungin taidemuseo, Helsinki, 1981, pp. 470-481
  • Barbican Art Gallery, London, 1983, pp. 470-481
  • *
  • Congresshalle, Saarbrücken, 1999, pp. 91-96
  • Lokschuppen Rosenheim, 1999, pp. 91-96
  • Bahnhof Uelzen, Uelzen, 2000, pp. 91-96
  • Veranstaltungshalle des Stadtcafé Ottensen, Hamburg, 2001, pp. 67-72
  • Konzert- und Bühnenhaus Kevelaer, Kevelaer, 2002, pp. 87-92
  • Salzstadel, Regensburg, 2003, pp. 87-92
  • Benrather Karree, Dusseldorf, 2003, pp. 87-92
  • Neue Ausstellungshalle am Rathaus, Dillingen/Saar, 2005, pp. 87-92
  • Schloss Fachsenfeld, Aalen, 2006, pp. 87-92
  • CongressCentrum Böblingen, 2007, pp. 87-92
  • Neustädtisches Palais, Schwerin, 2009, pp. 87-92