JW 215
53
TISCHE MIT ROT-WEISS GESTREIFTEN TISCHTÜCHERN IN EINER OSTERIA
TABLES IN A TRATTORIA WITH RED AND WHITE STRIPED TABLE-CLOTHS
TABLES DANS UNE TRATTORIA AUX NAPPES RAYEES ROUGE ET BLANC
1949
Painted in Trattoria nella via Rocco, Peschiera, Lake Garda, July 15, 1949
260 mm x 320 mm
Aquarell und Kohlestift auf braunem Packpapier
Hundertwasser Art Centre, Whangarei
- Albertina, Vienna, 1974
- Haus der Kunst, Munich, 1975
- World Travelling Museum Exhibition:
- Musée d'Art Moderne de la Ville de Paris, 1975
- Musée de l'Etat, Luxembourg, 1975
- Musée Cantini, Marseille, 1975
- A.S.U. Hall, Cairo, 1975
- The Tel Aviv Museum, 1976
- Muzeum Narodowe, Warsaw, 1976
- National Gallery of Iceland, Reykjavik, 1976
- Statens Museum for Kunst, Copenhagen, 1976
- Musée Dynamique, Dakar, 1976
- Seibu Museum of Modern Art, Tokyo, 1977
- Yokohama Citizen's Gallery, 1977
- Hong Kong Museum of Art, 1977
- South African National Gallery, Cape Town, 1977
- Pretoria Art Museum, 1977
- Museu de Arte Moderna, Rio de Janeiro, 1977
- Museu de Arte, São Paulo, 1977
- Museo de Bellas Artes, Caracas, 1977
- Museo de Arte Moderno, Mexico City, 1978
- Musée des Beaux-Arts, Montreal, 1978
- Royal Ontario Museum, Toronto, 1978
- Palais des Beaux-Arts, Brussels, 1978
- Mücsarnok, Budapest, 1978
- Museo Español de Arte Contemporáneo, Madrid, 1979
- Seedamm-Kulturzentrum, Pfäffikon/Lake Zurich, 1979
- Palazzo Barberini, Rome, 1980
- Palazzo Reale, Milan, 1980
- Henie/Onstad Stiftelser Kunstsentret, Høvikodden,1980
- Museum Ludwig, Cologne, 1980/81
- Secession, Vienna, 1981
- Kulturhaus, Graz, 1981
- Neue Berliner Galerie, East Berlin, 1981
- Helsingin kaupungin taidemuseo, Helsinki, 1981
- Sala Dalles, Bucharest, 1981/82
- Schipka Gallery, Sofia, 1982
- Barbican Art Gallery, London, 1983
- City Art Gallery, York, 1983
- *
- KunstHausWien, Vienna, 1998 - September 2007
- KunstHausWien, Vienna, since January 2008 - Nov. 2019
- Leopold Museum, Vienna, 2020
- Hundertwasser Art Centre, Whangarei, since Feb. 2022
- W. Schmied, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2000, Vol. I, p. 152 (c)
- A. C. Fürst, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2002, Vol. II, pp. 148/149 (and c)
- Kestner-Gesellschaft, Hanover, 1964, p. 96
- Albertina, Vienna, 1974, pp. 117 (c), 195
- Haus der Kunst, Munich, 1975, p. 79 (c)
- Musée d'Art Moderne de la Ville de Paris, 1975, p. 91 (c)
- Musée de l'Etat, Luxembourg, 1975, p. 91 (c)
- Musée Cantini, Marseille, 1975, p. 91 (c)
- A.S.U. Hall, Cairo, 1975, p. 91 (c)
- The Tel Aviv Museum, 1976, p. 91 (c)
- Muzeum Narodowe, Warsaw, 1976, p. 79 (c)
- National Gallery of Iceland, Reykjavik, 1976, p. 81 (c)
- Supplementary edition Reykjavik, 1976, p. 25
- Statens Museum for Kunst, Copenhagen, 1976, p. 91 (c)
- Supplementary edition no. 2, Copenhagen, 1976, p. 11
- Musée Dynamique, Dakar, 1976, p. 91 (c)
- Seibu Museum of Modern Art, Tokyo, 1977, p. 91 (c)
- South African National Gallery, Cape Town / Pretoria Art Museum, 1977, p. 91 (c)
- Museu de Arte Moderna, Rio de Janeiro / Museu de Arte, Sao Paulo / Palácio Itamaraty, Brasilia, 1977, p. 91 (c)
- Museo de Bellas Artes, Caracas, 1977, p. 91 (c)
- Supplementary edition Caracas, 1977, cat. Dibujos - Acuarelas 33
- Museo de Arte Moderno, Mexico City, 1978, p. 91 (c)
- Musée des Beaux-Arts, Montreal, 1978, p. 91 (c)
- Royal Ontario Museum, Toronto, 1978, p. 91 (c)
- Palais des Beaux-Arts, Brussels, 1978, p. 91 (c)
- Museo Español de Arte Contemporáneo, Madrid, 1979, cat. 23
- Seedamm-Kulturzentrum, Pfäffikon/Lake Zurich, 1979, p. 79 (c)
- Palazzo Barberini, Rome, 1980, p. 91 (c)
- Sonja Henies og Niels Onstads Stiftelser Kunstsentret, Høvikodden, 1980, p. 91 (c)
- Museum Ludwig, Cologne, 1980, p. 73 (c)
- Secession, Vienna, 1981, p. 73 (c)
- Kulturhaus, Graz, 1981, p. 73 (c)
- Neue Berliner Galerie, East Berlin, 1981, p. 26
- Helsingin kaupungin taidemuseo, Helsinki, 1981, p. 91 (c)
- Barbican Art Gallery, London, 1983, p. 91 (c)
- Seedamm-Kulturzentrum, Bulletin no. 6, summer/autumn 1979, Pfäffikon/Lake Zurich, p. 4 (c)
Hundertwassers Kommentar zum Werk
Eines meiner ersten Bilder, wo meine Liebe zu den Streifen und Bändern zum Ausdruck kommt - mich interessierten vor allem die Streifen. (aus: Kat. Albertina, Wien 1974, S.116)