839
LOEWENGASSE - LA TROISIEME PEAU
DIE DRITTE HAUT
THE THIRD SKIN
Venice, 1982
Painted on the island of Porquerolles, 1980 - Wolfgangsee, 1981 - Venice, 1981 and August 1982
565 mm x 730 mm
Mixed media
KunstHausWien, Vienna
- Artcurial, Paris, 1982
- Artcurial, Munich, 1983
- *
- World Travelling Museum Exhibition:
- Dum Umení, Brno, 1986
- Národní Galerie, Prague, 1986/87
- Galerie Umenì, Karlovy Vary, 1987
- Slovenska Narodna Galeria, Bratislava, 1987
- Rupertinum, Salzburg, 1987
- *
- Travelling exhibition 1989:
- Tokyo Metropolitan Teien Art Museum, 1989
- Iwaki City Art Museum, 1989
- Ohara Museum of Art, 1989
- *
- KunstHausWien, April 1991 - 2012
- Kunsthal Rotterdam, 2004
- Seoul Arts Center Hangaram Design Museum, Seoul, 2010/11
- Centre de la Vieille Charité, Marseille, 2012
- Le Musée en Herbe, Paris, 2013/14
- ARKEN Museum of Modern Art, Ishoj, Denmark, 2014
- KunstHausWien, Vienna, November 2014 - May 2015
- Quartier Libre SIG, Geneva, 2015/16
- KunstHausWien, Vienna, November 2016 - March 23 2017
- Kunstmuseum am Inselbahnhof, Lindau, 2019
- H. Rand, Hundertwasser - Der Maler, Munich, 1986, pl. 105 (c), p. 167
- H. Rand, Hundertwasser, Cologne, 1991, p. 208 (c) and ed. 1993, p. 180 (c)
- Y. Shirakura (ed.), Shinchosha's Super Artists: Hundertwasser, Japan, 1991, pl. 38 (c), p. 79
- Contemporary Great Masters: Hundertwasser, Tokyo, 1993, pl. 58 (c), p. 111
- W. Schmied, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2000, Vol. I, pp. 206, 209 (c)
- Hundertwasser Portfolio, Cologne, 2001, inside (c, b) and reverse (c)
- A. C. Fürst, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2002, Vol. II, pp. 639/640 (and c)
- Hundertwasser - Gebt den Menschen die Häuser zurück, Munich, 2003, p. 19 (c)
- F. Hundertwasser / P. Restany, Hundertwasser, New York, 2008, p. 228 (c)
- Briefmarkenbuch, Vienna, 2008, (c)
- P. Restany, Die Macht der Kunst, Hundertwasser - Der Maler-König mit den fünf Häuten, Cologne, 2018, p. 43 (c)
- Artcurial, Paris, 1982, pp. 21 (c), 49
- Travelling exhibition 1989: Japan, cat. 46 (c)
- KunstHausWien, Vienna, 1999, p. 63 (c)
- Seoul Arts Center Hangaram Design Museum, Seoul, 2010/11, cover (c), pp. 8/9 (c), 106-107 (and c), 227
- Centre de la Vieille Charité, Marseille, 2012, p. 91 (c)
- Dans la peau de Hundertwasser, Le Musée en Herbe, Paris, 2013, pp. 31 (c), 38 (detail, c), 39 (detail, c)
- Hundertwasser, ARKEN Museum of Modern Art, Ishoj, 2014, pp. 56/57 (c)
- Leaflet, Kunstmuseum am Inselbahnhof, Lindau, 2019 (cover)
- Hundertwasser - Traumfänger einer schöneren Welt, Kunstmuseum am Inselbahnhof, Lindau, 2019, cover (c), pp. 62-63 (and c)
- B. Stone Sunstein / E. Chiseri-Strater, Field Working - Reading and Writing Research, Boston / New York, 2007, cover (c)
- E. De Luca: WIEN modern. Architektur - Design - Style, Vienna: Pichler Verlag, 2010, p. 109 (c, detail)
- M. Knutagard / A. Kristiansen, Nytt vin i gamla läglar, Lund, 2018, cover (c)
- L'Oeil, no. 327, Oct. 1982, Lausanne, p. 44 (c)
- VfA Profil, no. 6, 1979, Oldenburg, p. 31(c)
- Impression, no. 480, May 2000, p. 45 (c)
- Art Calendar 1984, B. Wörner, Gerlingen
- Art Calendar 1985, Verlag Galerie Welz, Salzburg (May)
- Art Calendar 1988, Verlag Galerie Welz, Salzburg (April)
- Hundertwasser Art Agenda 1987, Caesar Art International, Stuttgart
- Hundertwasser Art Agenda 1988, Caesar Art International, Stuttgart
- Hundertwasser Art Agenda 1989, caesar Art International, Stuttgart
- Hundertwasser Art Jahrbuch 1992, caesar Art International, Stuttgart
- Hundertwasser Art Memo, caesar Art International, Stuttgart
- Greeting card, IFMO (Institut de Formation à la Maitrise d'Ouvrage), Paris, 1995
- Poster, IFMO, Paris, 1995 (60 x 40/25,5 x 33 cm)
- Art Print, Daco Verlag, Stuttgart, 1996 (70 x 80/53 x 68 cm, ed. 2000)
- Hundertwasser 2004 Calendar, Taschen, Cologne
- Hundertwasser Calendar 2010, CJ Corporation Group, Seoul
- Exhibition Poster, Seoul Arts Center Hangaram Design Museum, Seoul, 2010/11 (c)
- Calendar, Hundertwasser Art 2013, Wörner, Rutesheim
- Calendar, Hundertwasser Art 2015, Wörner Verlag, Rutesheim (small size) (cover, detail)
- Art print, Wörner Verlag, Rutesheim, 2015 (48 x 67 cm)
- Postcard, Wörner Verlag, Rutesheim, 2016 and repr. 2019
- Calendar, Hundertwasser Art 2017, Wörner Verlag, Rutesheim (square size) (cover)
- Hundertwasser Vertical Wall Calendar Art 2017, Wörner Verlag, Rutesheim
- Hundertwasser span-a-year Art Calendar 2017, Wörner Verlag, Rutesheim
- Hundertwasser Agenda 2018, Wörner Verlag, Rutesheim, cover and backcover (detail)
- Exhibition poster, Kunstmuseum am Inselbahnhof, Lindau, 2019
- Invitation card, Kunstmuseum am Inselbahnhof, Lindau, 2019
Hundertwasser's comment on the work
A Hundertwasser House architecture reverie. The project was in progress. Combining architecture and painting is difficult. I am reproached in architecture circles for just painting houses: it is all a Potemkin façade, i. e., flat, with nothing behind it. And at that I build in tandem with the architect Pelikan extremely varied, complicated houses full of nooks and crannies. It is on the contrary precisely the T-square-straight, soulless architectures which are flat and easy to analyse and construct with a computer. My houses - the computer people have said - often need more data input than medieval cathedrals. (from: Hundertwasser 1928-2000, Catalogue Raisonné, Vol. 2, Taschen, Cologne, 2002, pp. 639-640)