805
LES SOLITUDES
DIE VIER EINSAMKEITEN
The Four Solitudes
Algajola, 1979
Painted in Paris, February 23, 1978 - Paris - Vienna, February 30 - Vienna, November 30, 1978 - Algajola, July 1979
645 mm x 495 mm
Mixed media: watercolour, acrylic, egg tempera, oil and tinfoil on paper, mounted on canvas PVA
- World Travelling Museum Exhibition:
- Seedamm-Kulturzentrum, Pfäffikon/Lake Zurich, 1979
- Palazzo Barberini, Rome, 1980
- Palazzo Reale, Milan, 1980
- Henie/Onstad Stiftelser Kunstsentret, Høvikodden,1980
- Museum Ludwig, Cologne, 1980/81
- Secession, Vienna, 1981
- Kulturhaus, Graz, 1981
- Neue Berliner Galerie, East Berlin, 1981
- Helsingin kaupungin taidemuseo, Helsinki, 1981
- Sala Dalles, Bucharest, 1981/82
- Schipka Gallery, Sofia, 1982
- Barbican Art Gallery, London, 1983
- City Art Gallery, York, 1983
- City Art Centre, Edinburgh, 1983
- Dum Umení, Brno, 1986
- Národní Galerie, Prague, 1986/87
- Galerie Umenì, Karlovy Vary, 1987
- Slovenska Narodna Galeria, Bratislava, 1987
- Rupertinum, Salzburg, 1987
- *
- Stichting Veranneman, Kruishoutem, 1987
- *
- Travelling exhibition 1989:
- Tokyo Metropolitan Teien Art Museum, 1989
- Iwaki City Art Museum, 1989
- Ohara Museum of Art, 1989
- Y. Shirakura (ed.), Shinchosha's Super Artists: Hundertwasser, Japan, 1991, pl. 35 (c), p. 79
- Postcardbook: Lost and Stolen Pictures, Cologne, 1995 (c) and ed. Buch und Zeit, cover (c)
- A. C. Fürst, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2002, Vol. II, pp. 618/619 (and c)
- Hundertwasser - Wenn einer alleine träumt..., Munich, 2003, p. 23 (c)
- Museum Ludwig, Cologne, 1980, p. 359 (c)
- Secession, Vienna, 1981, p. 359 (c)
- Kulturhaus, Graz, 1981, p. 359 (c)
- Neue Berliner Galerie, East Berlin, 1981, p. 30
- World Travelling Museum Exhibition 1986/87: Czechoslovakia (b)
- Stichting Veranneman, Kruishoutem, 1987 (c)
- Travelling exhibition 1989: Japan, cat. 36 (c)
- Leaflet: Hundertwasser Dauerausstellung, KunstHaus Allgäu, Weitnau, 2000 (c)
- Welt der Kunst - World of Art, 2003, Wellington, p. 29 (b)
- Invitation and greeting card, Gruener Janura AG, Glarus, 1981
- Art Calendar, Hundertwasser 1982, B. Wörner, Gerlingen (June, reserved sides)
- Invitation card, Sala Dalles, Bucharest, 1981
- Art Calendar, Hundertwasser 1983, Verlag Galerie Welz, Salzburg (May, 30 x 23 cm)
- Invitation card, Campagne Rosenberger, Bern, 1984
- Invitation card, Hundertwasser: Gemälde, Gobelins, Graphiken, 1984, Lindau
- Hundertwasser Calendar 1992, Verlag Galerie Welz, Salzburg (cover)
- Hundertwasser Art Memo, caesar International Art, Stuttgart
- Invitation card, B. Wörner, Gerlingen, 1981
- Greeting card, B. Wörner, Gerlingen, 1981
- Entrance card, Museum Exhibition Tour, Japan, 1989
- Fine Art Print, printart, Marienfeld, 1995 (900 x 700/860 x 660 mm) (repr.)
- Exhibition poster: KunstHaus Allgäu, Weitnau, 2000 (c)
- Hundertwasser 2004 Calendar, Taschen, Cologne (and reprints)
- Hundertwasser Address book, Wörner, Rutesheim, 2011
- Hundertwasser Notebook, Wörner, Rutesheim, 2011
- Hundertwasser Diary 2012, Wörner, Rutesheim
- Hundertwasser 2012 Calendar, Taschen, Cologne (and reprints)
- Calendar, Hundertwasser Art 2014, Wörner Verlag, Rutesheim
- Hundertwasser Pocket Art 2014, Wörner Verlag, Rutesheim
- Calendar, Hundertwasser Art 2015, Wörner Verlag, Rutesheim (small size)
- Hundertwasser Slim Art Calendar 2016, Wörner Verlag, Rutesheim (and cover/detail)
- Postcard, Wörner Verlag, Rutesheim, 2016 and repr. 2019
- Calendar, Hundertwasser Art 2017, Wörner Verlag, Rutesheim (cover)
- Bookmark, Wörner Verlag, Rutesheim, 2018
- Hundertwasser Agenda 2019, Wörner Verlag, Rutesheim
Hundertwasser's comment on the work
This is a picture about high water, like 609 Shipwreck. Even the trees are under water. I was living for two months with a French family I was friends with in a castle on Corsica and put together picture grounds, primed and painted within the cool, thick walls, while streams of tourists passed by in the searing heat outside. I had this feeling of comfort when painting in the barrel vaults on Santorin, too, in the cool mountains of Tahiti, in the dwelling caves of Matmata in Tunisia, where I had to put on a sweater even though the hot desert was up above, and in my mill on the Kamp, where it was warm at my wood-burning stove while there were often sub-zero temperatures outside. (from: Hundertwasser 1928-2000, Catalogue Raisonné, Vol. 2, Taschen, Cologne, 2002, pp. 618-619)