442
SOUVENIR D`UN TABLEAU QUI ETAIT LE SOUVENIR D'UNE EPOQUE QUI ETAIT LE SOUVENIR DE QUELQUE CHOSE DE PERSONNEL
ERINNERUNG AN DAS BILD, DAS ERINNERUNG AN EINE ZEIT, WELCHE ERINNERUNG AN ETWAS PERSÖNLICHES WAR
MEMORY OF A PAINTING WHICH WAS THE MEMORY OF AN EPOCH WHICH WAS THE MEMORY OF SOMETHING PERSONAL

La Picaudière, 1960
Painted at La Picaudière, August 1960
1160 mm x 730 mm
Mixed media: egg tempera and oil on wrapping paper, primed with chalk and PV; mounted on hemp with PV.
The Museum of Modern Art, New York

  • 31st Venice Biennial, 1962
  • *
  • Travelling exhibition 1964/65:
  • Kestner-Gesellschaft, Hanover, 1964
  • Kunsthalle Bern, 1964
  • Karl-Ernst-Osthaus-Museum, Hagen, 1964
  • Stedelijk Museum, Amsterdam, 1964
  • Moderna Museet, Stockholm, 1965
  • Museum des 20. Jahrhunderts, Vienna, 1965
  • *
  • Travelling exhibition 1968/69:
  • University Art Museum Berkeley, 1968
  • Santa Barbara Museum of Art, 1968/69
  • The Museum of Fine Arts, Houston, 1969
  • The Arts Club of Chicago, 1969
  • The Galerie St. Etienne, New York, 1969
  • The Phillips Collection, Washington DC, 1969
  • Haus der deutschen Kunst, Munich, 1966
  • Fondation Maeght, St.-Paul-de-Vence
  • Constructa 74, Hanover, 1974
  • Bouwbeurs, Utrecht, 1974
  • H. Rand, Hundertwasser - Der Maler, Munich, 1986, pl. 58 (c), p. 165
  • A. C. Fürst, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2002, Vol. II, pp. 396/397 (and c)
  • XXXI. Biennale di Venezia, Austria, 1962, cat. 36 (c)
  • Kestner-Gesellschaft, Hanover, 1964, p. 190
  • Moderna Museet, Stockholm, 1964, cat. 76
  • Museum des 20. Jahrhunderts, Vienna, 1965, cat. 89
  • Haus der deutschen Kunst, Munich, 1966
  • University Art Museum, Berkeley, 1968, cat. 43, p. 85 (c)
  • Musée des Beaux-Arts et de la Dentelle, Alençon, 2001, p. 40
  • Galerie der BASF Schwarzheide, 2005/06, p. 71 (c)
  • Moderne Malerei in Streiflichtern, Munich, 1973, p. 141 (c)
  • Knaurs Lexikon der modernen Malerei, Munich, 1982, pp. 125 (c), 139 (c)
  • Art Donations from the Collections of J. Aberbach, New York, 2001, p. 71 (c)
  • L'Oeil, no. 74, Feb. 1961, Lausanne (c)
  • Mizue, Tokyo, 1961 (c)
  • Merian, no. 7/XXI, Hamburg, 1968, p. 37 (c)
  • The Washington Daily News, August 1, 1969 (b)
  • Art International, vol. XIX, March 1975, Lugano, p. 12 (c)
  • Art, no. 11, Nov. 1983, Hamburg, p. 28 (c)
  • Postcard, Basler Druck- und Verlagsanstalt, Basel, 1968
  • Art Print, Bruckmann Verlag, Munich, 1970 (no. 5351, 84 x 52/98 x 66 cm)
  • Postcard, Bruckmann Verlag, Munich, 1970
  • Fine Art Print. F. Bruckmann Verlag, Munich, 1970 (repr.)
  • Prospectus, Bruckmann Verlag, Munich, 1973
  • Versandkarte Siegfried Adler, Montagnola, 1974
  • Fund rising record for St. Barbara Church in Bärnbach, limited edition of 3000 numbered offset-litho prints in 6 colours with metal embossing in two colours, Vienna, 1987 (270 x 215/200 x 123 mm)
  • Hundertwasser 1988, Verlag Galerie Welz, Salzburg (February)
  • Fine art print, F. Bruckmann Verlag, Munich, 1990 (100 x 70 cm, repr. 1992)
  • Postcard no. 576, F Bruckmann Verlag, Munich 1992
  • Hundertwasser 2004 Calendar, Taschen, Cologne (and reprints)
  • Hundertwasser 2012 Calendar, Taschen, Cologne (and reprints)