Hundertwasser's comment on the work

The painting is from 1952. I painted it near Assisi on the way to Arezzo. At the time I was going through a very happy period. I was quite poor. I think one can also see that it is a very happy painting. I hadn't seen the painting for many years. I sold it at the exhibition in Venice in the Sandri Gallery - I think for 5000 lire - and didn't see it again for ten years. Now it has suddenly surfaced in Mexico, and I am very surprised to see this painting again. I can't imagine that I painted it myself. I see for example that there are faces everywhere in the houses and that the driver is even pushing a nose to the side here at the car door. I was sent a transparency of this painting from Mexico. The cut was made from the transparency. (from: Hundertwasser, Buchheim Verlag, Feldafing, 1964 and ed. 1973, p. 30)I painted the picture at the Bargellinis' home. They had taken me home with them when I was hitchhiking. I can remember that I fell asleep on an excursion and that when I woke up Bernardina Bargellini was sitting next to me. Her son is a musician and visited me in Vienna. There is a good photograph of me and the painting at the Bargellinis'. (from: Hundertwasser 1928-2000, Catalogue Raisonné, Vol. 2, Taschen, Cologne, 2002, p. 228)

138
CAMIONE DAVANTI A CASE
TRÄUMENDER LASTWAGENFAHRER MIT SEINEN HÄUSERN
DAY DREAMING TRUCK DRIVER WITH HIS HOUSES
CAMIONNEUR REVANT AVEC SES MAISONS

Watercolour
La Verna, 1952
Painted in La Verna, Arezzo, in the family Bargellini's summer residence, July, 1952
500 mm x 700 mm
Watercolour on the reverse of a poster
  • Galleria Sandri, Venice, 1952
  • Travelling exhibition 1968/69:
  • University Art Museum Berkeley, 1968
  • Santa Barbara Museum of Art, 1968/69
  • The Museum of Fine Arts, Houston, 1969
  • The Arts Club of Chicago, 1969
  • The Galerie St. Etienne, New York, 1969
  • The Phillips Collection, Washington DC, 1969
  • Travelling exhibtion 1973:
  • City of Auckland Art Gallery, 1973
  • Govett-Brewster Art Gallery, New Plymouth, 1973
  • The New Zealand Academy of Fine Arts, Wellington, 1973
  • City Art Gallery, Christchurch, 1973
  • City Art Gallery, Dunedin, 1973
  • World Travelling Museum Exhibition:
  • Museo Español de Arte Contemporáneo, Madrid, 1979
  • Seedamm-Kulturzentrum, Pfäffikon/Lake Zurich, 1979
  • Palazzo Barberini, Rome, 1980
  • Palazzo Reale, Milano, 1980
  • Henie/Onstad Stiftelser Kunstsentret, Høvikodden,1980
  • Museum Ludwig, Cologne, 1980/81
  • Secession, Vienna, 1981
  • Kulturhaus, Graz, 1981
  • Neue Berliner Galerie, East Berlin, 1981
  • Helsingin kaupungin taidemuseo, Helsinki, 1981
  • Sala Dalles, Bucharest, 1982
  • W. Schmied, Hundertwasser, Feldafing, 1964 and ed. 1973, pp. 31 (c), 45
  • W. Schmied, Hundertwasser, Salzburg, 1974, pl. 23 (c), p. 311
  • P. Restany, Hundertwasser, New York, 1978, p. 55 (c)
  • W. Schmied, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2000, Vol. I, pp. 74, 76 (c)
  • A. C. Fürst, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2002, Vol. II, pp. 227/228 (and c)
  • F. Hundertwasser / P. Restany, Hundertwasser, New York, 2008, pp. 18/19 (c)
  • Kestner-Gesellschaft, Hanover, 1964, pp. 19 (c), 113
  • University Art Museum, Berkeley, 1968, p. 47 (c), cat. 16
  • Supplementary edition Caracas, 1977, cat. Dibujos - Acuarelas 26
  • Museo Español de Arte Contemporáneo, Madrid, 1979, cat. 158
  • Neue Berliner Galerie, East Berlin, 1981, p. 27
  • A. Reinders (ed.), Neuer Himmel, neue Erde, neuer Mensch, Aachen, 2001, back cover (detail, c); accompanying Lent calendar (detail, c)
  • Tiroler Tageszeitung, June 24, 1965 (b)
  • Art, no. 11, Nov. 1983, Hamburg, pp. 24/25 (c)
  • Focus, no. 51, Munich, 2002 (c)
  • Postcard, Buchheim Verlag, Feldafing, 1964
  • Buchheim Calender, Feldafing, 1974 (August, 28 * 40)
  • Art Calendar, Hundertwasser 1983, Druckerei Wörner (January, 32,5 * 46 cm)
  • Art Print, The Hundertwasser Collection, KunstHausWien, Vienna, 1988 (59 x 83.5 cm, with metal imprints, repr.)
  • Christmas Greeting Card, ARBÖ, Vienna, 1988
  • Postcard, Joram Harel Management, Vienna, 1988
  • Art Calendar 1988, Verlag Galerie Welz, Salzburg (March)
  • Art Calendar 1993, Verlag Galerie Welz, Salzburg (46 x 34 cm, March)
  • Clock-face of the wristlet watch no. 2, Genesis-Edition, Vienna, 1995 (detail)
  • Greeting card set, Missio, Aachen, 2001 (c, detail according to APA 19)
  • Hundertwasser 2004 Calendar, Taschen, Cologne (and reprints)
  • 2004 Hundertwasser Diary Jahrbuch, Borer & Wörner, Zug
  • Hundertwasser Jahrbuch 2007, Borer & Wörner, Zug
  • Hundertwasser Agenda, Wörner, Rutesheim, 2008
  • Hundertwasser Diary 2009, Wörner, Rutesheim
  • Hundertwasser Diary 2010, Wörner, Rutesheim
  • Hundertwasser Calendar 2010, Lotte Department Store, Seoul
  • Calendar, Hundertwasser 2011, change communications (for Mastercard), Warsaw
  • Hundertwasser Premium Birthday Calendar, Wörner, Rutesheim, 2011
  • Hundertwasser Premium Art Calendar 2012, Wörner, Rutesheim
  • Hundertwasser 2012 Calendar, Taschen, Cologne (and reprints)
  • Hundertwasser Diary 2013, Wörner, Rutesheim