JW 26
XVI
PORTULAK RÖS'CHEN
PURSLANE
ROSE POURPIER
Vienna, 1943
Painted in Vienna, Obere Donaustraße, September 1943
110 mm x 110 mm
Pencil and watercolour on paper
KunstHausWien, Vienna
- Albertina, Vienna, 1974
- Haus der Kunst, Munich, 1975
- World Travelling Museum Exhibition:
- Musée d'Art Moderne de la Ville de Paris, 1975
- Musée de l'Etat, Luxembourg, 1975
- Musée Cantini, Marseille, 1975
- A.S.U. Hall, Cairo, 1975
- The Tel Aviv Museum, 1976
- Muzeum Narodowe, Warsaw, 1976
- National Gallery of Iceland, Reykjavik, 1976
- Statens Museum for Kunst, Copenhagen, 1976
- Musée Dynamique, Dakar, 1976
- Seibu Museum of Modern Art, Tokyo, 1977
- Yokohama Citizen's Gallery, 1977
- Hong Kong Museum of Art, 1977
- South African National Gallery, Cape Town, 1977
- Pretoria Art Museum, 1977
- Museu de Arte Moderna, Rio de Janeiro, 1977
- Museu de Arte, São Paulo, 1977
- Museo de Bellas Artes, Caracas, 1977
- Museo de Arte Moderno, Mexico City, 1978
- Musée des Beaux-Arts, Montreal, 1978
- Palais des Beaux-Arts, Brussels, 1978
- Mücsarnok, Budapest, 1978
- Museo Español de Arte Contemporáneo, Madrid, 1979
- Seedamm-Kulturzentrum, Pfäffikon/Lake Zurich, 1979
- Palazzo Barberini, Rome, 1980
- Palazzo Reale, Milan, 1980
- Henie/Onstad Stiftelser Kunstsentret, Høvikodden,1980
- Museum Ludwig, Cologne, 1980/81
- Sesession, Vienna, 1981
- Kuturhaus, Graz, 1981
- Neue Berliner Galerie, East Berlin, 1981
- Helsingin kaupungin taidemuseo, Helsinki, 1981
- Sala Dalles, Bucharest, 1981/82
- Schipka Gallery, Sofia, 1982
- Barbican Art Gallery, London, 1983
- City Art Gallery, York, 1983
- *
- KunstHausWien, Vienna, April 1991 - February 2013
- H. Rand, Hundertwasser - Der Maler, Munich, 1986, pl. 7 (c), p. 164
- H. Rand, Hundertwasser, Cologne, 1991, p. 10 (c)
- A. C. Fürst, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2002, Vol. II, pp. 81/82 (and c)
- Kestner-Gesellschaft, Hanover, 1964, p. 84
- Albertina, Vienna, 1974, pp. 43 (c), 156
- Musée d'Art Moderne de la Ville de Paris, 1975, p. 57 (c)
- Musée de l'Etat, Luxembourg, 1975, p. 57 (c)
- Musée Cantini, Marseille, 1975, p. 57 (c)
- A.S.U. Hall, Cairo, 1975, p. 57 (c)
- The Tel Aviv Museum, 1976, p. 59 (c)
- National Gallery of Iceland, Reykjavik, 1976, p. 59 (c)
- Supplementary edition Reykjavik, 1976, p. 23
- Statens Museum for Kunst, Copenhagen, 1976, p. 57 (c)
- Supplementary edition no. 2, Copenhagen, 1976, p. 10
- Musée Dynamique, Dakar, 1976, p. 57 (c)
- Seibu Museum of Modern Art, Tokyo, 1977, p. 59 (c)
- South African National Gallery, Cape Town / Pretoria Art Museum, 1977, p. 59 (c)
- Museu de Arte Moderna, Rio de Janeiro / Museu de Arte, São Paulo / Palácio Itamaraty, Brasilia, 1977, p. 59 (c)
- Museo de Bellas Artes, Caracas, 1977, p. 59 (c)
- Supplementary edition Caracas, 1977, cat. Grabados 66
- Museo de Arte Moderno, Mexico City, 1978, p. 59 (c)
- Musée des Beaux-Arts, Montreal, 1978, p. 57 (c)
- Royal Ontario Museum, Toronto, 1978, p. 59 (c)
- Palais des Beaux-Arts, Brussels, 1978, p. 57 (c)
- Museo Español de Arte Contemporáneo, Madrid, 1979, cat. 6
- Palazzo Barberini, Rome, 1980, p. 59 (c)
- Sonja Henies og Niels Onstads Stiftelser Kunstsentret, Høvikodden, 1980, p. 59 (c)
- Neue Berliner Galerie, East Berlin, 1981, p. 25
- Helsingin kaupungin taidemuseo, Helsinki, 1981, p. 59 (c)
- Barbican Art Gallery, London, 1983, p. 59 (c)
- H. Hartwig, Jugendkultur, Reinbek bei Hamburg, 1980, p. 179 (b)
Hundertwasser's comment on the work
I pressed flowers in books, and then they withered. So I thought it would be better to paint them, because then they would keep their appearance and colour. (from: Cat. Albertina, Vienna, 1974, p. 42).