JW 17
X
ÜBERFUHR ZWISCHEN AUGARTEN- UND BRIGITTABRÜCKE
THE FERRY BETWEEN AUGARTEN- AND BRIGITTA BRIDGE
BAC ENTRE LE PONT AUGARTEN ET LE PONT BRIGITTA
Vienna, 1943
Painted in Vienna, Brigittenauerlände, May 29, 1943
150 mm x 200 mm
Pencil and coloured pencil on drawing paper
KunstHausWien, Vienna
- Albertina, Vienna, 1974
- Haus der Kunst, Munich, 1975
- *
- World Travelling Museum Exhibition:
- Musée d'Art Moderne de la Ville de Paris, 1975
- Musée de l'Etat, Luxembourg, 1975
- A.S.U. Hall, Cairo, 1975
- The Tel Aviv Museum, 1976
- Muzeum Narodowe, Warsaw, 1976
- National Gallery of Iceland, Reykjavik, 1976
- Statens Museum for Kunst, Copenhagen, 1976
- Musée Dynamique, Dakar, 1976
- Seibu Museum of Modern Art, Tokyo, 1977
- Yokohama Citizen's Gallery, 1977
- Hong Kong Museum of Art, 1977
- South African National Gallery, Cape Town, 1977
- Pretoria Art Museum, 1977
- Museu de Arte Moderna, Rio de Janeiro, 1977
- Museu de Arte, São Paulo, 1977
- Museo de Bellas Artes, Caracas, 1977
- Museo de Arte Moderno, Mexico City, 1978
- Musée des Beaux-Arts, Montreal, 1978
- Royal Ontario Museum, Toronto, 1978
- Palais des Beaux-Arts, Brussels, 1978
- Mücsarnok, Budapest, 1978
- Museo Español de Arte Contemporáneo, Madrid, 1979
- Seedamm-Kulturzentrum, Pfäffikon/Lake Zurich, 1979
- Palazzo Reale, Milan, 1980
- Henie/Onstad Stiftelser Kunstsentret, Høvikodden,1980
- Museum Ludwig, Cologne, 1980/81
- Secession, Vienna, 1981
- Kulturhaus, Graz, 1981
- Neue Berliner Galerie, East Berlin, 1981
- Helsingin kaupungin taidemuseo, Helsinki, 1981
- Sala Dalles, Bucharest, 1981/82
- Schipka Gallery, Sofia, 1982
- Barbican Art Gallery, London, 1983
- City Art Gallery, York, 1983
- *
- KunstHausWien, Vienna, April 1991 - February 2013
- P. Restany, Hundertwasser, New York, 1978, p. 33 (c)
- W. Schmied, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2000, Vol. I, pp. 150 (c), 154
- A. C. Fürst, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2002, Vol. II, pp. 76/77 (and c)
- F. Hundertwasser / P. Restany, Hundertwasser, New York, 2008, p. 8 (c)
- G. Illetschko, Planet Hundertwasser, Munich, 2012, p. 13 (c)
- Kestner-Gesellschaft, Hanover, 1964, p. 81
- Albertina, Vienna, 1974, pp. 37 (c), 154
- Haus der Kunst, Munich, 1975, p. 39 (c)
- Musée d'Art Moderne de la Ville de Paris, 1975, p. 51 (c)
- Musée de l'Etat, Luxembourg, 1975, p. 51 (c)
- Musée Cantini, Marseille, 1975, p. 51 (c)
- A.S.U. Hall, Cairo, 1975, p. 51 (c)
- The Tel Aviv Museum, 1976, p. 53 (c)
- Muzeum Narodowe, Warsaw, 1976, p. 39 (c)
- National Gallery of Iceland, Reykjavik, 1976, p. 53 (c)
- Suplementary edition, Reykjavik, 1976, p. 23
- Statens Museum for Kunst, Copenhagen, 1976, p. 51 (c)
- Supplementary edition no. 2, Copenhagen, 1976, p. 9
- Musée Dynamique, Dakar, 1976, p. 51 (c)
- Seibu Museum of Modern Art, Tokyo, 1977, p. 53 (c)
- South African National Gallery, Cape Town / Pretoria Art Museum, 1977, p. 53 (c)
- Museu de Arte Moderna, Rio de Janeiro / Museu de Arte, São Paulo / Palácio Itamaraty, Brasilia, 1977, p. 53 (c)
- Museo de Bellas Artes, Caracas, 1977, p. 53 (c)
- Supplementary edition Caracas, 1977, cat. Dibujos - Acuarelas 1
- Museo de Arte Moderno, Mexico City, 1978, p. 53 (c)
- Musée des Beaux-Arts, Montreal, 1978, p. 51 (c)
- Royal Ontario Museum, Toronto, 1978, p. 53 (c)
- Palais des Beaux-Arts, Brussels, 1978, p. 51 (c)
- Museo Español de Arte Contemporáneo, Madrid, 1979, cat. 3
- Seedamm-Kulturzentrum, Pfäffikon/Lake Zurich, 1979, p. 39 (c)
- Palazzo Barberini, Rome, 1980, p. 53 (c)
- Sonja Henies og Niels Onstads Stiftelser Kunstsentret, Høvikodden, 1980, p. 53 (c)
- Museum Ludwig, Cologne, 1980, p. 31 (c)
- Secession, Vienna, 1981, p. 31 (c)
- Kulturhaus, Graz, 1981, p. 31 (c)
- Neue Berliner Galerie, East Berlin, 1981, p. 25
- Helsingin kaupungin taidemuseo, Helsinki, 1981, p. 53 (c)
- Barbican Art Gallery, London, 1983, p. 53 (c)
- Mobil Oil Austria AG (ed.), Österreicher, die der Welt gehören, Vienna, 1979, p. 87 (c)
- H. Hartwig, Jugendkultur, Reinbek bei Hamburg, 1980, p. 178 (b)
- E. Seder, Der Vollmond stand über Erdberg, Vienna, 2001, cover (c)
Hundertwasser's comment on the work
An important picture for me. My first boat. I dreamt about sailing over the seas; later, I did so with the "Regentag." The Danube Canal was my first sea, I crossed it by boat time and again, back and forth. The woman steering the ferry was a kind of spiritual advisder for the lonely passengers.
(from: Hundertwasser 1928-2000, Catalogue Raisonné, Vol. 2, Taschen, Cologne, 2002, p. 76)