ARCH 6
MOULDINESS MANIFESTO AGAINST RATIONALISM IN ARCHITECTURE
Seckau, Styria, 1958
On July 4, 1958 at Seckau, Austria, during an international art and architecture venue organized by Monsignor Otto Mauer, who at the time incarnated the pivot of Viennese artistic culture, Hundertwasser read his manifesto to a small audience. He expressed his rejection of rationalism, of the straight line and of functional architecture. Followed by recitations at the Galerie Van de Loo, Munich, on July 11, and at the Galerie Parnass, Wuppertal, Germany, on July 26, 1958.
- KunstHausWien, Vienna, 2011
- Buchheim Museum, Bernried, 2016/17
- MUMOK, Vienna, 2008/09
- F. Hundertwasser, verschimmelungs-manifest gegen den rationalismus in der architektur, Wiesbaden, 1958 (ed. of 300, signed and numbered by the artist)
- W. Schurian (ed.), Schöne Wege, Munich, 1983, pp. 162-169 and ed. 2004, pp. 216-222
- Das Hundertwasserhaus, Vienna, 1985, pp. 46-49
- Hundertwasser Architektur, Cologne, 1996, pp. 46-49 and ed. 2006, pp. 34-37, 311
- W. Schmied, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2000, Vol. I, pp. 82/83 (and c)
- A. C. Fürst, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2002, Vol. II, text pp. 1167-1172 and p. 1175 (c)
- M. Stürmer, Hundertwasser Kunstbauwerke in Österreich, Vienna, 2004, p. 112
- F. Hundertwasser / P. Restany, Hundertwasser, New York, 2008, text pp. 119-124 and p. 123 (b)
- G. Illetschko, Planet Hundertwasser, Munich, 2012, p. 40 (b)
- W. Viernstein, Friedensreich Hundertwasser, Saarbrücken, 2015, pp. 12-14 (and b)
- C. Wiesauer, 100 x Hundertwasser, Vienna, 2016, p. 42 (b)
- P. Restany, Die Macht der Kunst, Hundertwasser - Der Maler-König mit den fünf Häuten, Cologne, 1998, p. 23 (b)
- University Art Museum, Berkeley, 1968, pp. 94-104
- Haus der Kunst, Munich, 1975, pp. 346-355
- World Travelling Museum Exhibition:
- Musée de l'Etat, Luxembourg, 1975, pp. 476-489
- Musée Cantini, Marsaille, 1975, pp. 476-489
- A.S.U. Hall, Cairo, 1975, pp. 476-489
- The Tel Aviv Museum, Tel Aviv, 1976, pp. 434-448
- Muzeum Narodowe, Warsaw, 1976, pp. 346-355
- National Gallery of Iceland, Reykjavik, 1976, pp. 376-390
- Seibu Museum of Modern Art, Tokyo, 1977, pp. 434-448
- South African National Gallery, Cape Town, 1977, pp. 434-448
- Museu de Arte Moderna, Rio de Janeiro/Museu de Arte, Sao Paulo/Palácio Itamaraty, Brasilia, 1977, pp. 434-448
- Museo de Bellas Artes, Caracas, 1977, pp. 434-448
- Museo de Arte Moderno, Mexico City, 1978, pp. 434-448
- Royal Ontario Museum, Toronto, 1978, pp. 434-448
- Seedamm-Kulturzentrum, Pfäffikon/Lake Zurich, 1979, pp. 346-355
- Palazzo Barberini, Rome, 1980, pp. 434-448
- Sonja Henies og Niels Onstads Stiftelser Kunstsentret, Hovikodden, 1980, pp. 434-448
- Museum Ludwig, Cologne, 1980, pp. 282-308
- Secession, Vienna, 1981, pp. 282-308
- Kulturhaus, Graz, 1981, pp. 282-308
- Helsingin kaupungin taidemuseo, Helsinki, 1981 pp. 434-448
- Barbican Art Gallery, London, 1983 pp. 434-448 **
- Architektur - Räume - Projekte, Galerien Maximilianstraße, Munich, 1978
- Treffpunkt Parnass Wuppertal 1949-1965, Von der Heydt-Museum Wuppertal, 180, pp. 131-133 (and b)
- Travelling exhibition 1989: Japan, cat. 8 (c)
- Travelling exhibition DAM, 2005/06, pp. 31-38
- Der unbekannte Hundertwasser, KunstHausWien, Vienna, 2008, p. 23 (c)
- HW-Die Kunst des grünen Weges, KunstHausWien, Vienna, 2011, pp. 121-125 (and b, c)
- Gegen den Strich. Werke 1949-1970, Kunsthalle Bremen, 2012/13, pp. 113-120 (and b), 121 (b)
- Hundertwasser, Japan und die Avantgarde, Österreichische Galerie Belvedere, Orangerie, Vienna, 2013, p. 68 (b)
- Ullstein Bauwelt Fundamente 1, Gütersloh, 1964
- U. Conrads (ed.), Programme und Manifeste zur Architektur des 20. Jahrhunderts, Berlin, 1964, pp. 149 - 152
- O. Breicha (ed.), Aufforderung zum Mißtrauen, Salzburg, 1967
- W. Broer/A. Schulze-Weslarn, Moderne Architektur, Hanover, 1976, pp. 111-114
- H. Rauscher (ed.), Das Buch Österreich. Texte, die man kennen muss, Vienna, 2005, pp. 512-514 (excerpt)
- R. Palla, Kurze Lebensläufe der Narren, Vienna, 2008, pp. 60-61 (excerpt)
- M.-J. van de Loo / S. Niggl (ed.), Aufbrüche Galerie van de Loo, Munich, 2007, p. 74 (excerpt)
- A. Kramer, Les grands manifestes, Paris, 2011, pp. 182-187 (and b, version 1958)
- R. Hahne, Kammerlohr - Epochen der Kunst 3, Von der Moderne zu aktuellen Tendenzen, Munich, 2013, p. 325 (excerpt)
- La Nouvelle Revue Francaise, April 1, 1961, Paris, pp. 660-668
- Berkeley Students Magazine, 1968
- La linea recta no tiene Dios y es inmoral, 2010, Tijuana/Mexico, n.p. (text)