ARCH 25/IV
PROJEKT FÜR DIE FUSSGÄNGERZONE SEILERGASSE
PROJECT FOR SEILERGASSE PEDESTRIAN ZONE

Architecture model no. 4 by Peter Manhardt
Design for green pedestrian zone in collaboration with the architect Gustav Peichl. Submitted to the Vienna city government on Nov. 16, 1972.Accompanied by the text "Richtlinien für die Fußgängerzone Seilergasse" Nov. 25, 1974

Vienna, 1974
23 cm x 165 cm x 55 cm
Balsa wood

The idea was to create an island which provided protection from the menaces of traffic und toxic exhaust fumes and afforded some relief from the stone desert. The project was not approved by the authorities of the City of Vienna.

mehr weniger
  • Schallaburg, Lower Austria, 2016
  • Das Hundertwasser Haus, Vienna, 1985, pp. 90 (c), 91 (c)
  • H. Rand, Hundertwasser, Cologne, 1991, p. 172 (c) and ed. 1993, p. 150 (c)
  • R. Schediwy, Hundertwassers Häuser, Vienna, 1999, p. 244
  • A. C. Fürst, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2002, Vol. II, p. 1198 (and c)
  • Hundertwasser Architektur, Cologne, 2006, p. 311
  • Haus der Kunst, Munich, 1975, pp. 390 - 396. 397 (c), p. 398 (c)
  • World Travelling Museum Exhibition:
  • Musée d'Art Moderne de la Ville de Paris, 1975, pp. 516 - 522, 523 (c), 527 (c)
  • Musée de L'Etat, Luxembourg, 1975, pp. 382 388, 389 (c)
  • Musée Cantini, Marseille, 1975, pp. 406 - 412, 413 (c)
  • A.S.U. Hall, Cairo, 1975, pp. 382 -388, 389 (c)
  • The Tel Aviv Museum, 1976, pp. 408 - 414, 411 (c)
  • Muzeum Narodowe, Warsaw, 1976, pp. 390 - 396, 397 (c), 398 (c)
  • National Gallery of Iceland, Reykjavik, 1976, pp. 348 - 354, 353 (c)
  • Statens Museum for Kunst, Copenhagen, 1976, pp. 516 - 522, 523 (c)
  • Musée Dynamique, Dakar, 1976, pp. 516 - 522, 523 (c)
  • Seibu Museum of Art, Tokyo, 1977, pp. 408 - 414, 411 (c)
  • South African National Gallery, Cape Town/Pretoria Art Museum, 1977, pp. 408 - 414, 411 (c)
  • Museu de Arte Moderna, Rio de Janeiro/Museu de Arte, Sao Paulo/Palácio Itamaraty, Brasilia, 1977, pp. 408 - 414, 411 (c)
  • Museo de Bellas Artes, Caracas, 1977, pp. 408 - 414, 411 (c)
  • Museo de Arte Moderno, México City, 1978, pp. 408 - 414, 411 (c)
  • Musée des Beaux-Arts de Montréal, 1978, pp. 516 - 522, 523 (c)
  • Royal Ontario Museum, Toronto, 1978, pp. 408 - 414, 411 (c)
  • Palais des Beaux-Arts, Brussels, 1978, pp. 516 - 522, 523 (c)
  • Seedamm-Kulturzentrum, Pfäffikon/Lake Zurich, 1979, pp. 390 - 396, 397 (c), 398 (c)
  • Palazzo Barberini, Rome, 1980, pp. 408 - 414, 411 (c)
  • Sonja Henies og Niels Onstads Stiftelser Kunstsentret, Hovikodden, 1980, pp. 408 - 414, 411 (c)
  • Helsingin kaupungin taidemuseo, Helsinki, 1981, pp. 408 - 416, 411 (c)
  • Barbican Art Gallery, London, 1983, pp. 408 - 416, 411 (c)
  • Die 70er - Damals war Zukunft, Schallaburg, 2016, p. 381 (c)
  • modul, Werkbericht Atelier Professor Schwanzer, and Gerhard Krampf, no. 13, Vienna, 1980, p. 3 (b)