ARCH 19
711
THREE DEMONSTRATIONS OF THE WINDOW RIGHT
Window Right Demonstration, Architecture forming
Wien / Vienna, Bülach, Essen, 1972
22. und 23. Februar / February 22 and 23, 1972
Moltofill with wire underneath and dispersion paint

Window right demonstration on the original facades of the houses of the three families participating in the Eurovision TV show "Wünsch dir was" (Make a Wish)

mehr weniger
  • W. Schurian (ed.), Schöne Wege, Munich, 1983, p. 272 (II,b)
  • P. Restany, Hundertwasser, New York, 1978, p. 22 (I-III, b)
  • Das Hundertwasser Haus, Vienna, 1985, pp. 101 (I, c), 102 (II, III, c)
  • H. Rand, Hundertwasser, Cologne, 1991, p. 166 (I, c) and ed. 1993, p. 144 (I, c)
  • Hundertwasser Haus, Vienna, 1995, pp. 44/45 (I, c)
  • Hundertwasser Architektur, Cologne, 1996, pp. 77 (I, c), 78 (II, III, c) and ed. 2006, pp. 59 (I, c), 60 (II, III, c), 72, 303 (c), 311
  • R. Schediwy, Hundertwassers Häuser, Vienna, 1999, pp. 28 (II, c), 223 (I, c), 240
  • A. C. Fürst, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2002, Vol. II, pp. 1188/1189 (and c)
  • F. Hundertwasser / P. Restany, Hundertwasser, New York, 2008, p. 141 (I, c)
  • Mein Kunstmalbuch, Phantasiereisen mit Hundertwasser, Munich, 2008, p. 18 (II, c)
  • Briefmarkenbuch, Hundertwasser in Wien, Vienna, 2011, p. 10 (I, c)
  • Regentag-Wassergläser für das Leben, Vienna, 2011, p. 71 (c, German and English edition)
  • Contatto, arte/città, triennale, Milan, 1973 (I, c)
  • World Travelling Museum Exhibition:
  • Musée d'Art Moderne de la Ville de Paris, 1975, p. 488 (I, c)
  • Musée de L'Etat, Luxembourg, 1975, p. 542 (I, c)
  • Musée Cantini, Marseille, 1975, p. 542 (I, c)
  • A.S.U. Hall, Cairo, 1975, p. 542 (I, c)
  • The Tel Aviv Museum, 1976, p. 482 (I, c)
  • National Gallery of Iceland, Reykjavik, 1976, p. 406 (I, c)
  • Statens Museum for Kunst, Copenhagen, 1976, p. 488 (I, c)
  • Musée Dynamique, Dakar, 1976, p. 488 (I, c)
  • Seibu Museum of Art, Tokyo, 1977, p. 482 (I, c)
  • South African National Gallery, Cape Town/Pretoria Art Museum, 1977, p. 482 (I, c)
  • Museu de Arte Moderna, Rio de Janeiro/Museu de Arte, Sao Paulo/Palácio Itamaraty, Brasilia, 1977, p. 482 (I, c)
  • Museo de Bellas Artes de Caracas, 1977, p. 482 (I, c)
  • Museo de Arte Moderno, México, 1978, p. 482 (I, c)
  • Musée des Beaux-Arts de Montréal, 1978, p. 488 (I, c)
  • Royal Ontario Museum, Toronto, 1978, p. 482 (I, c)
  • Palais des Beaux-Arts, Brussels, 1978, p. 488 (I, c)
  • Palazzo Barberini, Rome, 1980, p. 482 (I, c)
  • Sonja Henies og Niels Onstads Stiftelser Kunstsentret, Hovikodden, 1980, p. 482 (I, c)
  • Museum Ludwig, Cologne, 1980, p. 463 (I, c)
  • Secession, Vienna, 1981, p. 463 (I, c)
  • Kulturhaus, Graz, 1981, p. 463 (I,c)
  • Helsingin kaupungin taidemuseo, Helsinki, 1981, p. 484 (I, c)
  • Barbican Art Gallery, London, 1983, p. 482 (I, c)
  • Artcurial, Paris, 1982, p. 63 (I, c)
  • HW-Die Kunst des grünen Weges, KunstHausWien, Vienna, 2011, Front end-papers (I, b)
  • Hundertwasser, Japan und die Avantgarde, Österreichische Galerie Belvedere, Orangerie, Vienna, 2013, p. 69 (III,b)
  • ARKEN Museum of Modern Art, Ishoj, 2014, p. 31 (c)
  • H. Schmidt-Brümmer / F. Lee, Die bemalte Stadt, Köln, 1973, pl. 161 (I, b)
  • Mobil Oil Austria AG (Ed.), Österreicher die der Welt gehören, Vienna, 1979, p. 94 (I, II, III, c)
  • Stern, no. 12, 1972, Vienna, p. 24 (III, b), p. 25 (I, II, b)
  • Stern, no. 12, 1972, Hamburg, p. 43 (I, III, b)
  • Prolegomena 7/8, Wohnen in Wien, Feb. 1974, Vienna (I, cover, b)
  • Art, no. 11, Nov. 1983, Hamburg, p. 39 (I, c)
  • Tapei Fine Arts Museum Quaterly, vol. 10, April 1986, Tapei, p. 69 (I,c)
  • ArchideA, no. XVIII, 1998, Krommenie, p. 2 (I, c)
  • Pm - pedagogiska magasinet, no. 1, February 2008, Stockholm, p. 53 (I, c)