Hundertwassers Kommentar zum Werk

Diese Tankstelle ist weniger aggressiv als üblich gestaltet. Die Begrünung ist eine Medizin gegen die stinkenden Autos.(aus: Hundertwasser Architektur, Köln 1996, S. 104)

ARCH 25/VIII
TANKSTELLE - WENIGER AGGRESSIV ALS ÜBLICH
Architekturmodell

Architecture model no. 8 by Peter Manhardt

Vienna, 1974
85 cm x 101 cm x 101 cm
Balsaholz
Peter Manhardt
  • Haus der Kunst, Munich, 1975
  • World Travelling Museum Exhibition:
  • Musée d'Art Moderne de la Ville de Paris, 1975
  • Musée de L'Etat, Luxembourg, 1975
  • Musée Cantini, Marseille, 1975
  • A.S.U. Hall, Cairo, 1975
  • The Tel Aviv Museum, 1976
  • Muzeum Narodowe, Warsaw, 1976
  • National Gallery of Iceland, Reykjavik, 1976
  • Statens Museum for Kunst, Copenhagen, 1976
  • Musée Dynamique, Dakar, 1976
  • Seibu Museum of Modern Art, Tokyo, 1977
  • Yokohama Citizen's Gallery, 1977
  • Hong Kong Museum of Art, 1977
  • South African National Gallery, Cape Town, 1977
  • Pretoria Art Museum, 1977
  • Museu de Arte Moderna, Rio de Janeiro, 1977
  • Museu de Arte, Sao Paulo, 1977
  • Museo de Arte Moderno, Mexico City, 1978
  • Musée des Beaux-Arts, Montreal, 1978
  • Royal Ontario Museum, Toronto, 1978
  • Palais des Beaux-Arts, Brussels, 1978
  • Mücsarnok, Budapest, 1978
  • Museo Espanol de Arte Contemporáneo, Madrid, 1979
  • Seedamm-Kulturzentrum, Pfäffikon/Lake Zurich, 1979
  • Palazzo Barberini, Rome, 1980
  • Palazzo Reale, Milan, 1980
  • Henie/Onstad Stiftelser Kunstsentret, Hovikodden,1980
  • Museum Ludwig, Cologne, 1980/81
  • Secession, Vienna, 1981
  • Kulturhaus, Graz, 1981
  • Neue Berliner Galerie, East Berlin, 1981
  • Helsingin kaupungin taidemuseo, Helsinki, 1981
  • Sala Dalles, Bucharest, 1981/82
  • Schipka gallery, Sofia, 1982
  • Barbican Art Gallery, London, 1983
  • City Art Gallery, York, 1983
  • City Art Centre, Edinburgh, 1983
  • *
  • Travelling exhibition 1989:
  • Tokyo Metropolitan Teien Art Museum
  • Iwaki City Art Museum
  • Ohara Museum of Art
  • *
  • Minoritenkloster, Tulln, 2008
  • Galerien Maximilianstraße, Munich, 1978
  • Das Hundertwasser Haus, Vienna, 1985, p. 86 (c)
  • H. Rand, Hundertwasser, Cologne, 1991, p. 172 (c) and ed. 1993, p. 150 (c)
  • Y. Shirakura (ed.), Shinchosha's Super Artists: Hundertwasser, Japan, 1991, endpaper (c), pl. 55 (c), p. 79
  • Hundertwasser Architektur, Cologne, 1996, p. 104 (c) and ed. 2006, pp. 82 (c), 311
  • R. Schediwy, Hundertwassers Häuser, Vienna, 1999, p. 244
  • A. C. Fürst, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2002, Vol. II, p. 1202 (c)
  • Haus der Kunst, Munich, 1975, pp. 388 (c), 389 (c)
  • World Travelling Museum Exhibition:
  • Musée d'Art Moderne de la Ville de Paris, 1975, pp. 514/515 (c), 527 (c)
  • Musée de L'Etat, Luxembourg, 1975, pp. 380(c), 381 (c)
  • Musée Cantini, Marseille, 1975, pp. 404 (c), 405 (c)
  • A.S.U. Hall, Cairo, 1975, pp. 380 (c), 381 (c)
  • The Tel Aviv Museum, 1976, pp. 406 (c), 407 (c)
  • Muzeum Narodowe, Warsaw, 1976, pp. 388 (c), 389 (c)
  • National Gallery of Iceland, Reykjavik, 1976, pp. 346 (c), 347 (c)
  • Statens Museum for Kunst, Copenhagen, 1976, pp. 514 (c), 515 (c)
  • Musée Dynamique, Dakar, 1976, pp. 514 (c), 515 (c)
  • Seibu Museum of Modern Art, Tokyo, 1977, pp. 406 (c), 407 (c)
  • South African National Gallery, Cape Town/Pretoria Art Museum, 1977, pp. 406 (c), 407 (c)
  • Museu de Arte Moderna, Rio de Janeiro/Museu de Arte, Sao Paulo/Palácio Itamaraty, Brasilia, 1977, pp. 406 (c), 407 (c)
  • Museo de Bellas Artes, Caracas, 1977, pp. 406 (c), 407 (c)
  • Museo de Arte Moderno, México, 1978, pp. 406 (c), 407 (c)
  • Musée des Beaux-Arts de Montréal, 1978, pp. 514 (c), 515 (c)
  • Royal Ontario Museum, Toronto, 1978, pp. 406 (c), 407 (c)
  • Palais des Beaux-Arts, Brussels, 1978, pp. 514 (c), 515 (c)
  • Museo Español de Arte Contemporáneo, Madrid, 1979, cat. 182, p. 41 (b)
  • Seedamm-Kulturzentrum, Pfäffikon/Lake Zurich, 1979, pp. 388 (c), 389 (c)
  • Palazzo Barberini, Rome, 1980, pp. 406 (c), 407 (c)
  • Sonja Henies og Niels Onstads Stiftelser Kunstsentret, Hovikodden, 1980, pp. 406 (c), 407 (c)
  • Museum Ludwig, Cologne, 1980, pp. 492 (c), 493 (c)
  • Secession, Vienna, 1981, pp. 492 (c), 493 (c)
  • Kulturhaus, Graz, 1981, pp. 492 (c), 493 (c)
  • Helsingin kaupungin taidemuseo, Helsinki, 1981, pp. 406, 407 (c)
  • Sala Dalles, Bucharest, 1981, p. 14 (b)
  • Barbican Art Gallery, London, 1983, p. 406, 407 (c) **
  • Interessengemeinschaft Galerien Maximilianstraße (Ed.), Architektur, Räume, Projekte, Munich, 1978 pl. 8 (b)
  • Travelling exhibition 1989: Japan, 1989 (c)
  • Travelling exhibition 1999: Japan, p. 71 (c)
  • Mobil Oil Austria AG (ed.), Österreicher, die der Welt gehören, Vienna, 1979, p. 89 (c)
  • Austria Today, no. 2, 1975, Vienna, p. 57 (b)
  • pardon, no. 2, Feb. 1977, Frankfurt, p. 18 (c)
  • Seedamm Kulturzentrum Bulletin, no. 6, summer/autumn 1979, Pfäffikon/Lake Zurich, p. 10 (b)
  • Sarnafil aktuell, no. 10, 1979, Sarnen, p. 1 (b)
  • Detail, Zeitschrift für Architektur + Baudetail, no. 5, Sept./Oct. 1983, Munich, p. 422 (b)
  • Sarna aktuell, no. 2, 1984, Sarnen, p. 12 (b)