130
WENN ICH EINE NEGERIN HÄTTE, WÜRDE ICH SIE LIEBEN UND MALEN
IF I HAD A NEGRESS I WOULD LOVE AND PAINT HER
SI J'AVAIS UNE NEGRESSE, JE L'AIMERAIS ET LA PEINDRAIS
Aflenz, 1951
Painted in Aflenz, Bürgeralm, September 1951, in the company of his mother
665 mm x 665 mm
Aquarell auf kreideleimgrundiertem Packpapier, später von fremder Hand gefirnißt
KunstHausWien, Vienna
- Art Club, Vienna, 1952
- Galerie Änne Abels, Cologne, 1963
- Travelling exhibition 1964/65:
- Kestner-Gesellschaft, Hanover, 1964
- Kunsthalle Bern, 1964
- Karl-Ernst-Osthaus-Museum, Hagen, 1964
- Stedelijk Museum, Amsterdam, 1964
- Moderna Museet, Stockholm, 1965
- Museum des 20. Jahrhunderts, Vienna, 1965
- *
- Hammerlunds Kunsthandel, Oslo, 1965
- Galerie Krugier/Galerie Georges Moos, Geneva, 1967
- Travelling exhibition 1968/69:
- University Art Museum Berkeley, 1968
- Santa Barbara Museum of Art, 1968/69
- The Museum of Fine Arts, Houston, 1969
- The Galerie St. Etienne, New York, 1969
- The Phillips Collection, Washington DC, 1969
- *
- Haus der Kunst, Munich, 1975
- World Travelling Museum Exhibition:
- Musée d'Art Moderne de la Ville de Paris, 1975
- Musée de l'Etat, Luxembourg, 1975
- Musée Cantini, Marseille, 1975
- A.S.U. Hall, Cairo, 1975
- The Tel Aviv Museum, 1976
- Muzeum Narodowe, Warsaw, 1976
- National Gallery of Iceland, Reykjavik, 1976
- Statens Museum for Kunst, Copenhagen, 1976
- Musée Dynamique, Dakar, 1976
- Seibu Museum of Modern Art, Tokyo, 1977
- Hong Kong Museum of Art, 1977
- South African National Gallery, Cape Town, 1977
- Pretoria Art Museum, 1977
- Museu de Arte Moderna, Rio de Janeiro, 1977
- Museu de Arte, São Paulo, 1977
- Museo de Bellas Artes, Caracas, 1977
- Museo de Arte Moderno, Mexico City, 1978
- Musée des Beaux-Arts, Montreal, 1978
- Royal Ontario Museum, Toronto, 1978
- Palais des Beaux-Arts, Brussels, 1978
- Mücsarnok, Budapest, 1978
- Museo Español de Arte Contemporáneo, Madrid, 1979
- Seedamm-Kulturzentrum, Pfäffikon/Lake Zurich, 1979
- Palazzo Barberini, Rome, 1980
- Palazzo Reale, Milan, 1980
- Henie/Onstad Stiftelser Kunstsentret, Høvikodden,1980
- Museum Ludwig, Cologne, 1980/81
- Secession, Vienna, 1981
- Kulturhaus, Graz, 1981
- Neue Berliner Galerie, East Berlin, 1981
- Helsingin kaupungin taidemuseo, Helsinki, 1981
- Sala Dalles, Bucharest, 1981/82
- Schipka Gallery, Sofia, 1982
- Barbican Art Gallery, London, 1983
- City Art Gallery, York, 1983
- City Art Centre, Edinburgh, 1983
- Dum Umení, Brno, 1986
- Národní Galerie, Prague, 1986/87
- Galerie Umenì, Karlovy Vary, 1987
- Slovenska Narodna Galeria, Bratislava, 1987
- Rupertinum, Salzburg, 1987
- *
- Schloßhofgalerie, Lindau, 1984
- Travelling exhibition 1989:
- Tokyo Metropolitan Teien Art Museum, 1989
- Iwaki City Art Museum, 1989
- Ohara Museum of Art, 1989
- *
- KunstHausWien, April 1991 - September 2007
- Landesmuseum, Mainz, 2008
- KunstHausWien, Vienna, 2011
- Centre de la Vieille Charité, Marseille, 2012
- KunstHausWien, Vienna, February 2013 - October 2016
- Sejong Museum of Art, Seoul, 2016/17
- KunstHausWien, Vienna, since April 13, 2017
- Künstlerhaus, Vienna, 1952
- 't 'Venster, Rotterdam, 1954
- Kunsthalle Krems, Krems, 2003
- W. Schmied, Hundertwasser, Salzburg, 1974, pl. 18 (c), p. 310
- W. Koschatzky, Hundertwasser, Das vollständige druckgraphische Werk 1951-1986, Zürich/Schwäbisch Hall, 1986, p. 230 (b)
- H. Rand, Hundertwasser, Cologne, 1991, p. 36 (c) and ed. 1993, p. 30 (c)
- Y. Shirakura (ed.), Shinchosha's Super Artists: Hundertwasser, Japan 1991, pl. 7 (c), p. 78
- W. Schmied, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2000, Vol. I, pp. 165, 168 (c)
- A. C. Fürst, Hundertwasser 1928-2000, Catalogue Raisonné, Cologne, 2002, Vol. II, pp. 221/222 (and c)
- G. Illetschko, Planet Hundertwasser, Munich, 2012, p. 32 (c)
- Art Souvenir - Hundertwasser, In the Colour of His Brush, London, 2016, pp. 46 (c), 91
- Leaflet: Art Club, Vienna, 1952, cat. 1
- Galerie Änne Abels, Cologne, 1963, pl. 2 (c)
- Stedelijk Museum, Amsterdam, 1964, p. 11 (c)
- Kestner-Gesellschaft, Hanover, 1964, pp. 10 (c), 112
- Moderna Museet, Stockholm, 1964, cat. 11
- Museum des 20. Jahrhunderts, Vienna, 1965, cat. 16, p. 17 (c)
- Hammerlunds Kunsthandel, Oslo, 1965, cat. 14 (c)
- Galerie Krugier/Galerie Georges Moos, Geneva, 1967 (c)
- University Art Museum, Berkeley, 1968, p. 37 (c), cat. 12
- Haus der Kunst, Munich, 1975, p. 155 (c)
- Musée d'Art Moderne de la Ville de Paris, 1975, p. 255 (c)
- Musée de l'Etat, Luxembourg, 1975, p. 157 (c)
- Musée Cantini, Marseille, 1975, p. 157 (c)
- A.S.U. Hall, Cairo, 1975, p. 157 (c)
- The Tel Aviv Museum, 1976, p. 151 (c)
- Muzeum Narodowe, Warsaw, 1976, p. 155 (c)
- National Gallery of Iceland, Reykjavik, 1976, p. 139 (c)
- Supplementary edition Reykjavik, 1976, p. 32
- Statens Museum for Kunst, Copenhagen, 1976, p. 255 (c)
- Supplementary edition no. 2, Copenhagen, 1976, p. 16
- Musée Dynamique, Dakar, 1976, p. 255 (c)
- Seibu Museum of Modern Art, Tokyo, 1977, p. 151 (c)
- South African National Gallery, Cape Town / Pretoria Art Museum, 1977, p. 151 (c)
- Museu de Arte Moderna, Rio de Janeiro / Museu de Arte, São Paulo/Palácio Itamaraty, Brasilia, 1977, p. 151 (c)
- Museo de Bellas Artes, Caracas, 1977, p. 151 (c)
- Supplementary edition Caracas, 1977, cat. Dibujos - Acuarelas 23
- Museo de Arte Moderno, Mexico City, 1978, p. 151 (c)
- Musée des Beaux-Arts, Montreal, 1978, p. 255 (c)
- Royal Ontario Museum, Toronto, 1978, p. 151 (c)
- Palais des Beaux-Arts, Brussels, 1978, p. 255 (c)
- Museo Español de Arte Contemporáneo, Madrid, 1979, cat. 122, p. 25 (b)
- Seedamm-Kulturzentrum, Pfäffikon/Lake Zurich, 1979, p. 155 (c)
- Palazzo Barberini, Rome, 1980, p. 151 (c)
- Sonja Henies og Niels Onstads Stiftelser Kunstsentret, Høvikodden, 1980, p. 151 (c)
- Museum Ludwig, Cologne, 1980, p. 167 (c)
- Secession, Vienna, 1981, p. 167 (c)
- Kulturhaus, Graz, 1981, p. 167 (c)
- Neue Berliner Galerie, East Berlin, 1981, p. 27
- Helsingin kaupungin taidemuseo, Helsinki, 1981, p. 151 (c)
- Barbican Art Gallery, London, 1983, p. 151 (c)
- Travelling exhibition 1989: Japan, cat. 14 (c)
- Mythos Art Club, Kunsthalle Krems, Krems, 2003, p. 86 (c)
- HW-Die Kunst des grünen Weges, KunstHausWien, Vienna, 2011, pp. 55 (c), 213
- Centre de la Vieille Charité, Marseille, 2012, p. 69 (c)
- Hundertwasser, The Green City, Sejong Museum of Art, Seoul, 2016, pp. 50 (c), 252
- Weltpresse, no. 1, Vienna, 1953 (b)
- Das Kunstwerk, no. 5, Baden-Baden, 1956, p. 43 (b)
- L'Oeil, no. 74, Feb. 1961, Paris, p. 47 (b)
- Art, no. 11, Nov. 1983, Hamburg, pp. 22/23 (c)
- B.Z., Dec. 16, 2002 (b)
- Postcard, Vienna, 1951
- Hundertwasser Kalender 1991, Galerie Welz, Salzburg (March)
- Art Calendar 1992, B. Wörner, Rutesheim (56 x 49 cm, January)
- Hundertwasser 2004 Calendar, Taschen, Cologne (and reprints)
- Hundertwasser 2012 Calendar, Taschen, Cologne (and reprints)
Hundertwassers Kommentar zum Werk
Ich fühlte mich als Weltbürger, Kosmopolit, Weltverbesserer, und bestaunte und ehrte alle Kulturen, ohne sie nivellieren oder in ihnen aufgehen zu wollen. Ich wollte ich selbst bleiben und ihnen Ebenbürtiges zur Seite stellen, das ich selbst schuf als Europäer. (aus: Hundertwasser 1928-2000, Catalogue Raisonné, Bd. 2, Taschen, Köln 2002, S. 221)