APA 393
117 B
GELBE SCHIFFE - DAS MEER VON TUNIS UND TAORMINA
YELLOW SHIPS - SEA OF TUNIS AND TAORMINA
LES NAVIRES JAUNES - LA MER DE TUNIS ET DE TAORMINA

Knotted carpet,
Knotted carpet

Unique knotted carpet

1999
2750 mm x 1660 mm
Carpet knotted in wool with 1225 knots / sdm
Atelier Zia Uddin, Mazar-i-Sharif, Afghanistan, 1999
117 (Adaptation)
Hundertwasser Art Centre, Whangarei

Many who tried to manufacture hand-knotted Hundertwasser carpets had to destroy their work, because the product neither complied with Hundertwasser’s artistic vision nor met his technical standards. In 1998, however, he gave his Afghan friend Zia Uddin permission to have Afghan carpet knotters manufacture a hand-knotted carpet based on the work 117 Yellow Ships - Sea of Tunis and Taormina, not least because he wanted to support the poor Afghan people. He liked the individual interpretation so much that he agreed to the production of some additional carpets. When Hundertwasser set sail from New Zealand to Europe on board the Queen Elizabeth 2 in February 2000, he took the Afghan knotted carpet based on the work 117 with him and put it on the floor of his cabin.

mehr weniger
  • Die Galerie, Frankfurt, 2005/06
  • Art Forum Würth, Capena/Rome, 2008
  • KunstHausWien, Vienna, 2008/09
  • Seoul Arts Center Hangaram Design Museum, Seoul, 2010/11
  • ARKEN Museum of Modern Art, Ishoj, Denmark, 2014
  • Osthaus Museum, Hagen, 2015
  • Buchheim Museum, Bernried, 2016/17
  • Hundertwasser Art Centre, Whangarei, since Feb. 2022
  • Leaflet, Die Galerie, Frankfurt, 2005/06 (c)
  • Der unbekannte Hundertwasser, KunstHausWien, Vienna, 2008, pp. 141 (c), 290
  • La raccolta dei sogni, Art Forum Würth, Capena (Rome), 2008, p. 83 (c)
  • Seoul Arts Center Hangaram Design Museum, Seoul, 2010/11, pp. 130-131 (c), 228
  • Hundertwasser, ARKEN Museum of Modern Art, Ishoj, 2014, p. 62 (c)
  • Hundertwasser Lebenslinien, Osthaus Museum, Hagen, 2015, p. 100 (c)
  • Hundertwasser Schön & Gut, Buchheim Museum, Bernried, 2016, p. 162 (c)
  • Leaflet, Die Galerie, Frankfurt, 2005/06 (c)
  • Der unbekannte Hundertwasser, KunstHausWien, Vienna, 2008, pp. 141 (c), 290
  • La raccolta dei sogni, Art Forum Würth, Capena (Rome), 2008, p. 83 (c)
  • Seoul Arts Center Hangaram Design Museum, Seoul, 2010/11, pp. 130-131 (c), 228
  • Hundertwasser, ARKEN Museum of Modern Art, Ishoj, 2014, p. 62 (c)
  • Hundertwasser Lebenslinien, Osthaus Museum, Hagen, 2015, p. 100 (c)
  • Hundertwasser Schön & Gut, Buchheim Museum, Bernried, 2016, p. 162 (c)
  • Leaflet, Die Galerie, Frankfurt, 2005/06 (c)
  • Der unbekannte Hundertwasser, KunstHausWien, Vienna, 2008, pp. 141 (c), 290
  • La raccolta dei sogni, Art Forum Würth, Capena (Rome), 2008, p. 83 (c)
  • Seoul Arts Center Hangaram Design Museum, Seoul, 2010/11, pp. 130-131 (c), 228
  • Hundertwasser, ARKEN Museum of Modern Art, Ishoj, 2014, p. 62 (c)
  • Hundertwasser Lebenslinien, Osthaus Museum, Hagen, 2015, p. 100 (c)
  • Hundertwasser Schön & Gut, Buchheim Museum, Bernried, 2016, p. 162 (c)
  • Leaflet, Die Galerie, Frankfurt, 2005/06 (c)
  • Der unbekannte Hundertwasser, KunstHausWien, Vienna, 2008, pp. 141 (c), 290
  • La raccolta dei sogni, Art Forum Würth, Capena (Rome), 2008, p. 83 (c)
  • Seoul Arts Center Hangaram Design Museum, Seoul, 2010/11, pp. 130-131 (c), 228
  • Hundertwasser, ARKEN Museum of Modern Art, Ishoj, 2014, p. 62 (c)
  • Hundertwasser Lebenslinien, Osthaus Museum, Hagen, 2015, p. 100 (c)
  • Hundertwasser Schön & Gut, Buchheim Museum, Bernried, 2016, p. 162 (c)